Skip to content
Longcase clock by John Ellicott, London, c. 1750 — view 1 of 6
View 1 of 6 · Image: Howard Walwyn · original image source (opens another website in a new tab)

Clocks · Longcase clock

Longcase clock by John Ellicott, London, c. 1750

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
John Ellicott (maker)
Date
c. 1750
Country of origin
England
Place
London
Object type
Longcase clock
Materials / technique
lacquer
Dimensions
Height 280 cm
Stock no.
Product 5068
Credit line
Dealer listing, Howard Walwyn (product 5068)
Catalogue title (original)
JOHN ELLICOTT N° 453. An exceptional George III green lacquer chinoiserie quarter-chiming longcase clock. (English)

View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number Product 5068), this is a longcase clock by John Ellicott, made in London, England, dated c. 1750. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: lacquer. Recorded dimensions: Height 280 cm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

An exceptional George III period dark green lacquer chinoiserie brass dial quarter-chiming longcase clock by this famous London clockmaker. The dark green and gilt chinoiserie case has a stepped caddy-top with whale’s tails surmounted by a central brass flambeau finial and one to each side. There is a glazed hood door and a slender trunk, with the surfaces intricately japanned throughout with raised gilt figural and landscape scenes, including village vignettes and animals. The raised panelled base has a stepped double plinth and is also profusely decorated with gilt chinoiserie motifs. The 12-inch break-arch brass dial has ornate gilt foliate spandrels with chalices in each corner, and a brass chapter ring with fine matting on the dial centre. It has Roman hour numerals, Arabic five-minute markers, an outer minute track and fleur-de-lys half-hour indicators. The maker’s signature John Ellicott, London , is signed below the centre on a polished brass cartouche. There is a subsidiary seconds dial and an inset calendar aperture above VI. The arch at the top is fitted with a strike/silent dial. The steel hands are finely pierced and blued. The numbered three-train movement has six knopped pillars and an original anchor escapement, regulated by a long pendulum with a large lenticular brass bob. The clock chimes the quarters on a nest of four bells via six hammers, and strikes the hours on a larger bell. The rear plate of the movement is stamped No. 453 along its bottom edge. Date: circa 1750 Height : 110 ¼ in (280 cm) to top of finial * John Ellicott was born in 1706 and established his business in Swithin’s Alley, Royal Exchange in 1728. He was the inventor of a gridiron compensation pendulum and he developed the use of the cylinder escapement in watches. Like his peer George Graham , he became a member of the Royal Society, for which he wrote several papers. He was appointed Clockmaker to the King and he designed the London Hospital clock. He died suddenly in 1772 and was succeeded by his son. His work can be found in Museums and Royal Collections throughout the world. References: Geoffrey Buggins, Antiquarian Horology IV (December 1964) p.275 Cescinsky, Webster, English Domestic Clocks , p.194-196 Cedric Jagger, Royal Clocks, The British Monarchy & its Timekeepers pp.99-101 HW6640

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Deadbeat escapementAnchor escapement

Related records