
Clocks · Longcase clock
Long-case clock, English, ca. 1750, by Richard Peyton of Gloucester
- Maker / attribution
- Richard Peyton (made)
- Date
- c.1750
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- England
- Object type
- Longcase clock
- Materials / technique
- brass, steel, wood
- Holding institution
- Victoria and Albert Museum, London
- Accession / object no.
- W.12:1 to 4-1970
- Credit line
- Bequeathed by Brigadier WE Clark
Record summary
Held and catalogued by Victoria and Albert Museum, London (object number W.12:1 to 4-1970), this is a longcase clock by Richard Peyton, made in England, dated c.1750. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: brass, steel, wood. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
V&A — Physical description
Dial: Break arch brass dial. Silvered chapter ring with Roman hour numerals and Arabic minute numerals in multiples of five. Engraved half-hour markers in the form of leaves; half-quarters outside the minute ring are indicated by engraved and detailed diamond shapes. The inner portion of the chapter ring is engraved with hour and half-hour divisions. Separate, silvered subsidiary seconds ring below twelve with Arabic numbers at ten-second intervals. The main body of the dial has a matted centre with engraved patterns, one in the form of a shell around the recessed, square calendar aperture located above six. The date is indicated by Arabic numerals engraved on a silvered disc carried behind the dial. In the dial corners, cast brass spandrels are in the form of an urn with two birds. The arch carries a rotating lunar disc. With two painted effigies of the moon, clouds and stars, the phase of the moon is represented against the two engraved semi-circles, whilst its age is indicated by the Arabic numbers at its circumference. The arch itself carries an applied, silvered plaque with the name Rich: Peyton. Steel hands. Movement: Brass and steel weight driven two-train movement, of eight day duration with count wheel (or locking plate) striking on bell, regulated by a long pendulum of one second period. The four pillars with a bulbous centre of circular profile and semi-circular profile at the plate edges are riveted to the back plate and pinned at the front. The count wheel is attached to the great wheel. The four spoke train wheels have a fine groove turned on their faces and are attached to their arbors with semi-circular shaped collets; the arbors are non-parallel in section, tending to fatten towards their centres. The escapement is of the anchor recoil type; the back cock is devoid of steady pins and is secured with brass screws. A long lever attached to the back of the main dial advances the moon disc every twelve hours when it contacts a steel piece carried on the hour wheel. The hour wheel also advances the calendar ring via a twenty-four hour wheel in mesh with it. Description and notes by Francis Brodie, c. 2008
V&A — Object history
Purchased for £650 on 14 June 1951 by Brigadier WE Clark from Mallet & Son (Antiques) Ltd, 40 New Bond Street, London. Described as 'a rare 18th century walnut longcase clock, with elaborate cross-banded moulding and and carved and fret cornice. The movement by Richard Peyton of Gloucester.' Notes: The escape wheel and its arbor may have been replaced — the style of both is slightly different from the rest of the wheel work. A repairer's mark is scratched on the front plate: “J M .... 1916”. The presence of the count wheel (or locking plate) to control the striking mechanism, combined with the shape of the wheel collets and arbors are earlier features. Description and notes by Francis Brodie, c. 2008
V&A gallery label
LONG-CASE CLOCK ENGLISH; about 1750 By Richard Peyton of Gloucester.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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