
Clocks · Lantern clock
Lantern alarm clock, silver, by David Bouquet, circa 1650
- Maker / attribution
- David Bouquet (maker)
- Date
- ca. 1650
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Lantern clock
- Materials / technique
- Engraved silver; the gong and finial are later restorations
- Dimensions
- Height: 20.1 cm; Width: 9.4 cm; Depth: 8.6 cm
- Holding institution
- Victoria and Albert Museum, London
- Accession / object no.
- M.1139:1-1926
- Credit line
- Purchased from Henry Eckert of Eckert & Blake, 206 Upper Richmond Road, East Sheen.
Record summary
Held and catalogued by Victoria and Albert Museum, London (object number M.1139:1-1926), this is a lantern clock by David Bouquet, made in London, England, dated ca. 1650. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: Engraved silver; the gong and finial are later restorations. Recorded dimensions: Height: 20.1 cm; Width: 9.4 cm; Depth: 8.6 cm. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
V&A — Summary
Object Type Lantern clocks were first developed in England in the 1620s. Their design was based upon the simple weight-driven iron clocks made on the Continent. The name 'lantern' is probably based on the word 'laton' - meaning brass - as most of them had brass cases. These clocks were always driven by weights. They were made either to stand on a bracket or to hang on the wall from a stirrup on the back plate. Materials & Making This is the only known lantern clock with a silver case. The dial plate, chapter ring, alarm disc, side doors and pierced silver gallery are all of silver. It must have been made as a special commission for a wealthy patron. People David Bouquet was a French immigrant who was admitted to the Blacksmiths' Company in 1628. He joined the Clockmakers' Company as a founder member in 1632.
V&A — Physical description
Lantern-shaped clock on four ball feet, the front engraved with pinks, tulips, lilies and other flowers; above, an openwork gallery surmounted by pierced floral crestings with vases at the corners; dial ring with black numerals.
V&A — Object history
Made in London by David Bouquet (active 1632, died in London, 1665)
V&A gallery label
This clock, with its finely pierced and engraved silver case, is signed on the dial 'David Bouquet A Londres' thus betraying the French nationality of its maker. David Bouquet, who was made free of the London Clockmakers' Company in 1632 and died in 1665, was perhaps better known as a watchmaker, and watches by him are to be found in the British Museum, the Mallett Collection and the Palais du Cinquentaire, Brussels. There is an interesting reference to a Bouquet watch in the London Gazette of January 10th, 1680: 'Lost lately, a steel watch, finely cut, and the work of it made by Bouquet, in a black shagreen case. Whosoever hath found the same, if they bring it to Mr Michael Scrimpshire, Goldsmith, at the sigh of the Golden Lyon in Fleet Street, shall have 20 s. reward.' From the style of its decoration the case of this extremely rare clock appears to have been made about 1650; the gong and its finial are modern restorations. 'Masterpiece of the Week' (date unknown)
V&A gallery label
British Galleries: This clock was made by a French craftsman who had settled in London by 1628. This is the only surviving lantern clock of its period in a silver case, as brass was the usual material. This suggests that it was a very special commission.
V&A gallery label
Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text: Lantern clock About 1650, with later additions English lantern clocks normally have brass cases. This is the only known example with a silver case, which shows that it was a luxury commission. The maker, David Bouquet, was a Huguenot craftsman who sought refuge in London when Protestants were exiled from France. London Supplied by David Bouquet Silver, engraved V&A M.1139-1926
Inscriptions & marks
Inscribed: 'D Bouquet A Londres'
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Lantern, chamber and Gothic clocks
Domestic weight-driven clocks were made in southern Germany, Switzerland, Italy and Flanders from the fifteenth century. These 'Gothic' or chamber clocks have an open iron frame with corner posts, a verge escapement controlled by a foliot or balance wheel, and often an alarm or hour striking on a bell mounted above.
In England the lantern clock appeared around 1600: a brass posted-frame clock with a bell on top under decorative frets, hung on a hook or set on a wall bracket. After about 1658 many were converted to pendulum control, so originality of the escapement is a key question for any surviving example.
What to look for
- Iron (continental) or brass (English) posted frames with turned corner pillars and finials.
- A single hour hand — minute hands are rare before the pendulum era.
- Evidence of conversion: plugged holes, replaced escapement wheels or later pendulums.
- Fret designs and engraving on the dial centre, which help date English lantern clocks.
Dating clues
- Continental Gothic chamber clocks: c. 1450–1650.
- English lantern clocks: c. 1600–1720, with provincial examples later.
- Short 'bob' pendulum conversions after 1658; long pendulums with anchor escapement after c. 1670.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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