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Early 19th century mahogany inlaid eight day longcase clock — view 1 of 4
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Clocks · Longcase clock

Early 19th century mahogany inlaid eight day longcase clock

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
Early 19th century
Country of origin
Unrecorded in source
Object type
Longcase clock
Materials / technique
mahogany
Dimensions
Height 82 in (208 cm)
Lot
Sale 42, lot 1316
Credit line
Auction lot record: lot 1316, Fine Clocks & Related Items, Gardiner Houlgate (22nd October 2026)
Catalogue title (original)
Early 19th century mahogany inlaid eight day longcase clock, 12" painted arch dial signed Farrington, Bristol, with a painted rolling sun/moon to the arch, Roman numeral chapter, pierced hands, subsid (English)

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 42, lot 1316), this is a longcase clock, dated Early 19th century. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany. Recorded dimensions: Height 82 in (208 cm). The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Gardiner Houlgate

Early 19th century mahogany inlaid eight day longcase clock, 12" painted arch dial signed Farrington, Bristol, with a painted rolling sun/moon to the arch, Roman numeral chapter, pierced hands, subsidiary seconds dial and date aperture, with painted fruit to the spandrels, four pillar brass plate movement striking on a bell, within a traditional Bristol mahogany and boxwood inlaid case with a swan neck pediment and turned finial, waved crest and fluted columns, over a short door and plinth base, 82" high (with a pair of lead weights, pendulum and winding key) ** Farrington was a notable 19th century clockmaker based in Bristol who died around 1851 ** Ivory submission reference 9ZH1PSSF

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

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