Bracket clock in metal case with scroll handles and flamed-shaped top signed by Pierre Seignoret, Clockmaket to the the Comte d'Artois — view 1 of 2
View 1 of 2 · Image: © Victoria and Albert Museum, London · original image source

Clocks · Bracket clock

Bracket clock in metal case with scroll handles and flamed-shaped top signed by Pierre Seignoret, Clockmaket to the the Comte d'Artois

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Pierre Seigneuret (Maker)
Date
1750-1800
Country of origin
France
Place
France
Object type
Bracket clock
Materials / technique
Enamelled copper, ormolu.
Dimensions
Height: 80 cm (base (not including pendulum) to top); Width: 34 cm (across ormolu handles); Depth: 13.5 cm (back of case to front of clock dial case)
Accession / object no.
518:1 to 3-1868
Credit line
Purchased from M Duchochais, 1868

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number 518:1 to 3-1868), this is a bracket clock by Pierre Seigneuret, made in France, dated 1750-1800. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: Enamelled copper, ormolu. Recorded dimensions: Height: 80 cm (base (not including pendulum) to top); Width: 34 cm (across ormolu handles); Depth: 13.5 cm (back of case to front of clock dial case). The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

A bracket clock in a gilt metal case with scroll handles and flame-shaped top, Pierre Seigneuret, Paris, second half of the 18th century.

V&A — Physical description

Case: Clock set in urn-shaped enamelled copper case. The main body of the clock of iron, painted black, surmounted by a flame-shaped top of cast and chased ormolu. The body flanked by pairs of cast scrolled handles. Dial: Hinged and domed glazed dial cover; domed white-enamel dial with outer ring of 5 minutes; set of Roman hours within. Winding holes inside and slightly breaking into IIII and VIIII; regulating hole piercing 60. Signed on the dial: SEIGNEURET HGER DE MGNEUR LE COMTE D'Artois. Elaborately pierced and gilt hands without tails. Movement: Circular movement plates 12.7 cm diameter, slightly flattened at the bottom. Two going barrels. Going train at right, with anchor escapement, escape wheel of 30T, pallets spanning 4T. Pendulum of overall length 5.2 cm, with steel rod and lens-shaped brass-covered bob 3.2 cm diameter, 0.6 cm thick. Regulation by wound-up cord. Striking train to left, of locking plate type, the outside count-wheel permitting also a single stroke at the half-hours.

V&A — Object history

The Museum purchased the clock for £20 from M. Duchochais.

V&A gallery label

CLOCK. Ormolu and enamelled copper. Signed: S eigneuret Hger de Mgneur le Comp. D'Artois . FRENCH; about 1780. 518-1868

Inscriptions & marks

Signed on the dial: SEIGNEURET HGER DE MGNEUR LE COMTE D'Artois.

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapement

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