Clocks · Longcase clock
Early 19th century eight- ay mahogany inlaid longcase clock
- Maker / attribution
- Unrecorded in source
- Date
- Early 19th century
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- Unrecorded in source
- Object type
- Longcase clock
- Materials / technique
- mahogany
- Dimensions
- Height 89 in (226 cm)
- Auction house
- Gardiner Houlgate (auction house), Corsham
- Lot
- Sale 42, lot 1321
- Credit line
- Auction lot record: lot 1321, Fine Clocks & Related Items, Gardiner Houlgate (22nd October 2026)
- Catalogue title (original)
- Early 19th century eight- ay mahogany inlaid longcase clock, the 12" painted arch dial signed Smith, Bristol, painted to the arch depicting a sheep and stag in gilt, with foliate corners and a Roman a (English)
View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 42, lot 1321), this is a longcase clock, dated Early 19th century. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany. Recorded dimensions: Height 89 in (226 cm). The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Lot description — Gardiner Houlgate
Early 19th century eight- ay mahogany inlaid longcase clock, the 12" painted arch dial signed Smith, Bristol, painted to the arch depicting a sheep and stag in gilt, with foliate corners and a Roman and Arabic numeral chapter with subsidiary seconds dial and calendar aperture to the centre, the movement striking on a bell, the case hood with a swan neck and fluted columns over a single long door and plinth base, 89" high (with pendulum and a pair of cast weights) (hood glass cracked)
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement
Related records
Clocks · c. 1780
Longcase clock by Louis George, Eberswalde, c. 1780
Museum Eberswalde
Clocks · 1780s (inferred: the museum dates the style to the 1780s and the music includes Gluck's Iphigénie en Tauride of 1779)
Musical longcase clock, Roentgen workshop, Neuwied, 1780s
Badisches Landesmuseum Karlsruhe
Clocks · 1740–1760
Longcase clock, English, 1740–1760, japanned wood, John Ellicott
Victoria and Albert Museum, London
Clocks · 1740–60
Tall clock by Samuel Bagnall, United States, 1740–60
The Metropolitan Museum of Art, New York
Clocks · c.1750
Long-case clock, English, ca. 1750, by Richard Peyton of Gloucester
Victoria and Albert Museum, London
Clocks · 1750–1800
Bracket clock in metal case with scroll handles and flamed-shaped top signed by Pierre Seignoret, Clockmaket to the the Comte d'Artois
Victoria and Albert Museum, London
Clocks · c. 1750
Clock by Georg Gfell, Germany, c. 1750
German Clock Museum
Clocks · 1750–1799
Cuckoo / black forest clock, Germany, 1750–1799
Badisches Landesmuseum Karlsruhe