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A George III Marquetry Inlaid Satinwood Clock Longcase, c. 1800 — view 1 of 4
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Clocks · Clock

A George III Marquetry Inlaid Satinwood Clock Longcase, c. 1800

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
c. 1800
Country of origin
Unrecorded in source
Object type
Clock
Materials / technique
brass, gilt, gilt brass
Lot
Item 41990123
Credit line
Auction lot record: lot 472, Fine Art & Antiques Session II, Simpson Galleries, LLC (2015), via LiveAuctioneers
Catalogue title (original)
A GEORGE III MARQUETRY INLAID SATINWOOD CLOCK LONGCASE, (English)

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by LiveAuctioneers auction archive (lot Item 41990123), this is a clock, dated c. 1800. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: brass, gilt, gilt brass. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Simpson Galleries, LLC

A GEORGE III MARQUETRY INLAID SATINWOOD CLOCK LONGCASE, CIRCA 1800, MECHANISM BY RICHARD FENNELL, KENSINGTON, LATE 17TH CENTURY, the gilt brass and silvered dial incorporating a silvered black Roman chaptered ring signed, "Ric. Fennell, Kensington," encircled by Arabic five minute numerals with engraved "4 Bells" and "8 Bells" flanking the "15" minute numeral, opposite "Chimes" and "Silent" flanking the "45" minute numeral, centering reticulated cut steel hands and triple key escapements beneath a silvered seconds ring dial with blued steel hand, enclosed by applied scrolling floral corner spandrels, reversing to an interior eight day movement, with quarter hour chiming of four or eight bell choice and striking the hour, within an arched bonnet centering oval marquetry fan inlay, above a frieze of ribbon-tied berried laurel swags and a hinged glass door flanked by disengaged Corinthian columns, on a long rectangular case with marquetry inlaid berried branches and bellflowers centering a hinged door centering ribbon-tied elliptical bellflower reserves enclosing a classical urn, above a classical maiden muse within crossed fronds and corner fan form spandrels, the whole on a block form base with scrolling foliate details and raised on shaped block feet. NOTE: Richard Fennell is recorded to have worked in Kensington (London), as early as 1662 when he began his clock maker's apprenticeship. In 1679 he was admitted into The Clockmakers Company of London, where he was a member, recognized for making consistent fine quality clocks until 1705. Provenance: Estate of the Late James K. Schooler, Esq. Height: 86 1/2" Width: 21 1/4" Depth: 13 1/8"

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

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