
Clocks · Longcase clock
Moonphase grandfather clock by Wood, Stroud, c. 1785
- Maker / attribution
- Wood (maker)
- Date
- c. 1785
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- England
- Place
- Stroud
- Object type
- Longcase clock
- Materials / technique
- oak, ebony
- Dimensions
- Height 7 ft 10 in (239 cm)
- Stock no.
- Product 464
- Credit line
- Dealer listing, P A Oxley (product 464)
- Catalogue title (original)
- Moonphase Grandfather Clock by Wood of Stroud (English)
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Record summary
Catalogued by P A Oxley (dealer), Wiltshire (stock number Product 464), this is a longcase clock by Wood, made in Stroud, England, dated c. 1785. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: oak, ebony. Recorded dimensions: Height 7 ft 10 in (239 cm). The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — P A Oxley
An excellent Gloucestershire oak longcase clock with Moonphase and High Water feature. The 8 day duration movement strikes the hours on a bell and has a 12" silvered brass arched dial showing Roman Numerals and Arabic minutes. Also with elaborate engraving to the centre and the corners displaying flowers, scrolls and foliage. The dial also features seconds, date dial, blued steel hands and the makers name and place of work. The arch has a rare High Water facility and displays the High Water at Newnham Passage. Below this the Moonphase has superbly engraved hemispheres showing a country scene and a sunset. The light oak case is typical of the Bristol area and features some highly skilled cabinet making. The long trunk door has an oak leaf oval inlay and below the front moulded base has a single shaped plinth. The hood has separate oak pillars topped with Corinthian capitals and Doric capitals to the base. The arched top is surmounted with a small swan neck with a brass finial to the centre and with brass paterea to the swan necks. The trunk door and hood door are also inlaid with very fine boxwood and ebony inlay. An excellent example. Note: John Wood of Stroud was a prolific Clockmaker and obviously had access to an accomplished engraver going by the quality of engraving on this particular clock. The Cabinetwork is also of a very high quality. The High Water feature is very interesting. Newnham Passage stands on the right bank of the Severn 10 miles south West of Gloucester. It was a port trading in timber, coal and bark for the tanning industry. There was also a Ferry in use since 1238. This clock was almost certainly made for either a resident of Newnham or a Merchant based outside the town. Maker Wood of Stroud
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement
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