Skip to content
Mantel clock by Jacques Bollengier, c. 1800 - c. 1825 — view 1 of 1
View 1 of 1 · Image: Rijksmuseum, Amsterdam · original image source (opens another website in a new tab)

Clocks · Mantel clock

Mantel clock by Jacques Bollengier, c. 1800 - c. 1825

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Jacques Bollengier (clockmaker)
Date
c. 1800 - c. 1825
Country of origin
Unrecorded in source
Object type
Mantel clock
Materials / technique
bronze (metal), brass (alloy)
Dimensions
height 28.5 cm x width 22.5 cm x depth 15.5 cm
Holding institution
Rijksmuseum
Accession / object no.
BK-1977-109
Credit line
V.R. van Poelgeest-Spatkowa Bequest, Amsterdam
Catalogue title (original)
Pendule in de vorm van een ovale mand (Dutch)

View the source record ↗ (opens another website in a new tab)Suggest a correction

Record summary

Held and catalogued by Rijksmuseum (object number BK-1977-109), this is a mantel clock by Jacques Bollengier, dated c. 1800 - c. 1825. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: bronze (metal), brass (alloy). Recorded dimensions: height 28.5 cm x width 22.5 cm x depth 15.5 cm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Description — Rijksmuseum (Dutch)

Pendule van deels verguld, deels gepatineerd brons, in de vorm van een ovale mand met geprofileerde plint op met parel- en slingerranden versierde poten. Rond de uitbuigende bovenrand loopt een hekwerk van puntbogen. De geëmailleerde wijzerplaat op het donker gepatineerde middengedeelte toont bloemblaadjes en kralenranden. Hieronder een brandende fakkel met lint, bloemkrans en bladranken met bessen. De verdere versiering bestaat uit acanthusbladeren, thyrsusstaffen, olijftakken, rozetten en palmetten.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Inscriptions & marks

signature: ‘J. Bollenge à la Haye’

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

Related records