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Longcase clock by William Skeggs, London, c. 1765 — view 1 of 2
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Clocks · Longcase clock

Longcase clock by William Skeggs, London, c. 1765

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
William Skeggs (maker)
Date
c. 1765
Country of origin
England
Place
London
Object type
Longcase clock
Materials / technique
mahogany
Dimensions
Height 212 cm
Stock no.
SKU 514
Credit line
Dealer listing, Howard Walwyn (SKU 514)
Catalogue title (original)
WILLIAM SKEGGS. A handsome George III period mahogany longcase clock (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 514), this is a longcase clock by William Skeggs, made in London, England, dated c. 1765. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany. Recorded dimensions: Height 212 cm. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A handsome George III period longcase clock of nice proportions, the elegant case veneered with richly figured mahogany, having a raised panelled base and full length moulded trunk door. The 12-inch break arch brass dial , with matted centre, is well laid out with foliate spandrels, a silvered brass chapter ring and a subsidiary strike/silent dial in the arch. There are further dials for the inset seconds and day of the month indication. The maker’s signature William Skeggs London is engraved on an arched disc between VII and V. The eight day duration, five pillar movement has an anchor escapement and hour strike on a single bell. The clock is complete with a flat brass pendulum rod and a matched pair of brass cased weights. Height : 83 ½ in (212 cm) Max width : 19 in (48 cm) * William Skeggs is listed on page 713 of Brian Loomes’ Clockmakers of the World as working in London between 1756 and 1771.

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Deadbeat escapementAnchor escapement

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