
Clocks · Wall clock
German 19th century Black Forest double fusee gothic oak wall clock
- Maker / attribution
- Unrecorded in source
- Date
- 19th century
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- Germany
- Object type
- Wall clock
- Materials / technique
- oak
- Dimensions
- Height 29 in (74 cm)
- Auction house
- Gardiner Houlgate (auction house), Corsham
- Lot
- Sale 42, lot 1266
- Credit line
- Auction lot record: lot 1266, Fine Clocks & Related Items, Gardiner Houlgate (22nd October 2026)
- Catalogue title (original)
- German 19th century Black Forest double fusee gothic oak wall clock, attributed to Johann Baptiste Beha, 6.25" turned wooden dial with Roman numerals and pierced bone hands, eight day wood plate twin (English)
View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 42, lot 1266), this is a wall clock, made in Germany, dated 19th century. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: oak. Recorded dimensions: Height 29 in (74 cm). The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Lot description — Gardiner Houlgate
German 19th century Black Forest double fusee gothic oak wall clock, attributed to Johann Baptiste Beha, 6.25" turned wooden dial with Roman numerals and pierced bone hands, eight day wood plate twin fusee movement, the hour strike train with outside countwheel and linkages to two bellows and a cuckoo automaton which appears from behind the door above the dial to announce the hour with a two-note call alternating with a hammer sounding on a gong fitted to the inside of the rear case panel, within a gothic inspired spire case with carved tracery, 29" high, 12.5" wide, depth 6.5"(with pendulum and two cone weights) ** The George Hollis Collection ** Johann Baptist Beha was born in Oberbränd in 1815. He trained in his father's Vinzenz (1784-1868) workshop, but in 1845 at the age of thirty left to set up on his own in Eisenbach
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Regulators, wall and Vienna clocks
A regulator is a precision pendulum clock used as a time standard in observatories, workshops and railway offices. Typical features are a deadbeat or Graham escapement, a temperature-compensated pendulum (mercury jar, gridiron or later invar), maintaining power and a regulator dial that separates hours, minutes and seconds. George Graham's deadbeat escapement (c. 1715) and his mercury pendulum, together with Harrison's gridiron, set the pattern for two centuries.
Wall clocks span a much wider range: the elegant Viennese Laterndluhr and Dachluhr of the Biedermeier period, the Dutch stoelklok and staartklok, English 'dial' clocks used in schools, offices and railway stations, and mass-produced spring and weight wall clocks from Germany (Gustav Becker, Junghans, Kienzle) and America.
What to look for
- Deadbeat escapement and compensated pendulum (gridiron rods, mercury jar or wood rod).
- A regulator dial with a large central minute hand and separate hour and seconds dials.
- Vienna regulators: glazed cases, slender pendulum, small weights, enamel two-piece dials.
- German factory trademarks stamped on the backplate (e.g. Gustav Becker anchor and crown, Junghans star).
Dating clues
- Graham-type deadbeat regulators: from c. 1720.
- Viennese Laterndluhr: c. 1800–1850.
- German factory 'Vienna-style' regulators: c. 1870–1930; Gustav Becker serial numbers allow close dating.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Deadbeat escapementAnchor (recoil) escapementGrasshopper escapement
Related records
Clocks · 1780s (inferred: the museum dates the style to the 1780s and the music includes Gluck's Iphigénie en Tauride of 1779)
Musical longcase clock, Roentgen workshop, Neuwied, 1780s
Badisches Landesmuseum Karlsruhe
Clocks · c. 1750
Clock by Georg Gfell, Germany, c. 1750
German Clock Museum
Clocks · 1750–1799
Cuckoo / black forest clock, Germany, 1750–1799
Badisches Landesmuseum Karlsruhe
Clocks · c. 1774–75
Longcase clock by Hermann Achenbach, Germany, c. 1774–75
The Metropolitan Museum of Art, New York
Clocks · c. 1780–90
Clock, workshop of David Roentgen, Germany, c. 1780–90
The Metropolitan Museum of Art, New York
Clocks · c. 1800
Musical clock by Martin Vanlo?, Germany, c. 1800
The Metropolitan Museum of Art, New York
Clocks · 1787
Astronomical clock, Germany, 1787
German Clock Museum
Clocks · 1800–1899
Clock by Carl Meeß, Germany, 1800–1899
Badisches Landesmuseum Karlsruhe
