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Table clock 'Atala and Chactas', France, c. 1810 — view 1 of 4
View 1 of 4 · Image: Setdart Auction House / Invaluable · original image source (opens another website in a new tab)

Clocks · Clock

Table clock 'Atala and Chactas', France, c. 1810

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
c. 1810
Country of origin
France
Object type
Clock
Materials / technique
bronze, enamel
Lot
Lot 8D9978D80D
Credit line
Auction lot record: lot 17, 23rd November - Decorative & Oriental Art, Setdart Auction House (2026), via Invaluable
Catalogue title (original)
Table clock; France, c. 1810. "Atala & Chactas." Patinated bronze with mercury gilding. Silk thread suspension. Shows signs of wear. (English)

Editor's note

Title rewritten in English from the auction house's own lot title (Dutch, German or run into the description); facts unchanged.

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Invaluable auction listings (lot Lot 8D9978D80D), this is a clock, made in France, dated c. 1810. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: bronze, enamel. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Setdart Auction House

Measurements: 41 x 37 x 10.5 cm. This model is inspired by *Atala, or the Love of Two Savages in the Desert* (1801), the first major success of François-René de Chateaubriand (1768–1848). The novel was inspired by his journey to North America during the Revolution and was admired for its humanistic spirit and its rich descriptions of the New World’s flora and fauna. The story takes place in Louisiana, on the banks of the Mississippi, around 1755. René, a young Frenchman, is taken in by the Natchez and joins Chactas, one of the tribe’s most revered chiefs. Chactas, the adopted son of a Christian named López, is captured by an enemy tribe, but Atala, a young Native American woman raised as a Christian, frees him, and they flee together. After wandering for a long time, they encounter the missionary Father Aubry, who sets out to unite them by converting Chactas to Christianity. Atala’s mother, to save her daughter’s life before she was born, had vowed before God that she would remain a virgin. To avoid succumbing to Chactas’s temptation and to remain faithful to that vow, Atala poisons herself, despite her love for him. The clock, crafted from mercury-gilded bronze and patinated bronze, depicts the liberation of Atala and Chactas, the latter a prisoner of the enemy tribe and about to be executed. The white enamel dial is set within a bonfire, covered with a lion’s pelt. The rectangular base, resting on spinning-top-shaped legs, is decorated with a bas-relief depicting Atala’s funeral. The episode enjoyed enormous popularity in the decorative arts of the first third of the 19th century, and Atala inspired numerous clocks and paintings of the period, as is the case here

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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