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Mantel clock, France, 1740–1760 — view 1 of 2
View 1 of 2 · Image: © 2019 Musée du Louvre / Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes · original image source (opens another website in a new tab)

Clocks · Mantel clock

Mantel clock, France, 1740–1760

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1740–1760
Country of origin
France
Place
Paris, France
Object type
Mantel clock
Materials / technique
bronze
Dimensions
height 0,83 m; width 0,38 m; width 0,41 m; height 0,32 m
Holding institution
Musée du Louvre, Paris
Accession / object no.
OAP 587
Credit line
Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original)
Pendule en cartel (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number OAP 587), this is a mantel clock, made in Paris, France, dated 1740–1760. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: bronze. Recorded dimensions: height 0,83 m; width 0,38 m; width 0,41 m; height 0,32 m. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Pendule en cartel en trois parties (pendule, couronnement, console), en chêne peint en vert, ornée de bronzes dorés rocaille (vase au sommet, agrafe avec dragon sur le vantail). Estampille: F. GOYER et JMA (au revers de la partie centrale). Cadran en émail blanc signé: DESMARET A LAON. Paris, milieu du XVIIIe siècle.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Date de création/fabrication : 1740 - 1760

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : chêne · Matériau : bronze

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Inscriptions & marks

Estampille : ; ("F. GOYER - JVE" au revers de la partie centrale et au revers de l'accessoire) ; Inscription : ; Marquage à l'encre rouge, sur vernis Paraloïd "OAP 587" sur chacune des 3 parties

Provenance

Legs CH. Pasteur, 1984 ARA 9/05/1985

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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