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Longcase clock by Robert Mawley, London, c. 1760 — view 1 of 6
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Clocks · Longcase clock

Longcase clock by Robert Mawley, London, c. 1760

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Robert Mawley (maker)
Date
c. 1760
Country of origin
England
Place
London
Object type
Longcase clock
Materials / technique
lacquer
Dimensions
Height 227.5 cm
Stock no.
SKU 526
Credit line
Dealer listing, Howard Walwyn (SKU 526)
Catalogue title (original)
ROBERT MAWLEY. A highly decorative early George III period lacquer longcase clock (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 526), this is a longcase clock by Robert Mawley, made in London, England, dated c. 1760. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: lacquer. Recorded dimensions: Height 227.5 cm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A rare George III period cream, black and polychrome gilt lacquer longcase clock with two-train brass dial hour-striking movement. The 12-inch break arch brass dial has an applied silvered Roman and Arabic chapter ring and a subsidiary seconds dial below XII. The dial centre is silvered and finely engraved and the maker’s signature is signed in large script across the centre below rare engraved two stylised entwined serpents. In the arch there is a strike/silent dial with foliate engraving. The substantial high-quality 8-day two-train movement strikes the hours on a single bell. The stunning cream, black and gilt chinoiserie decorated case is in a remarkable state of preservation. It has a break arch top to the hood, a raised panelled base with a double plinth and a long moulded break arch top trunk door. The gilt decoration is highly distinctive with three intricately shaped panels in the long trunk door depicting oriental scenes, human figures and leafy floral landscapes on a cream coloured background. These are offset by sections of gilt crosshatching and black and gilt foliate decorated moulding. The decoration to the base, hood and sides has the same beautiful contrasting colours and motifs. The predominant white/cream ground colour has a ‘faux’ ivory effect. Height: 89 ½ in ( 227.5 cm) * Robert Mawley is listed on page 520 of Brian Loomes’ Clockmakers of the World as working in London from the first half of the 18 th century until the early part of George III’s reign. A case with cartouche panels depicting chinoiserie scenes resembling those on this clock, is illustrated in H. Huth, Lacquer of the West: The History of a Craft and an Industry, 1550 – 1850 (Chicago 1971), fig.74. There is also a mahogany longcase clock of similar form by Robert Mawley which is in the National Trust Property (NT1246209), Polesden Lacey in Surrey. Provenance : An American Private Collection HW6431

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

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