
Clocks · Longcase clock
Longcase clock by Franz Maria Rannaz, Vienna, c. 1845
- Maker / attribution
- Franz Maria Rannaz (maker)
- Date
- c. 1845
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- Austria
- Place
- Vienna
- Object type
- Longcase clock
- Dimensions
- Height 190 cm
- Stock no.
- SKU 56
- Credit line
- Dealer listing, Howard Walwyn (SKU 56)
- Catalogue title (original)
- FRANZ MARIA RANNAZ. AN IMPORTANT LATE BIEDERMEIER PERIOD YEAR DURATION LONGCASE REGULATOR. (English)
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Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 56), this is a longcase clock by Franz Maria Rannaz, made in Vienna, Austria, dated c. 1845. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Recorded dimensions: Height 190 cm. The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
An important late Biedermeier period year duration Viennese longcase regulator. The elegant architectural flame mahogany and boxwood strung case is beautifully proportioned with glazing to the front and sides. The substantial moulding to the panel base gives stability and the option of floor standing, as this clock can also be wall hanging. The front door lifts out creating a very neat appearance. Beneath the architectural pedimented hood are two volutes. The two-piece dial with central engraving and large engine turned fire gilded bezel has Roman Chapters with an inner engine turned Bezel and seconds dial beneath 12 o’clock. The dial is signed by the maker within a centre engraving, R M Rannaz, Wien. The fine blued steel pointers are delicately fretted, and the minute hand is counter balanced with a crescent shaped end. The year duration weight-driven movement is of three plate construction with a large great wheel and a long narrow barrel between the back plate and the front plate. The wheel work is exceptionally fine and there are in excess of 200 teeth in the great wheel. Graham’s deadbeat escapement and maintaining power are included and there are end stops throughout the train. The pendulum with wood rod and large brass circular bob is suspended on the back board of the case and there is a beat adjustment at the bottom of the crutch. Date : circa 1845 Height : 74 ½ in (190 cm) * The maker, Franz Maria Rannaz , is recorded as working in Vienna between 1841 and 1852. This fine clock is illustrated on pages 278 and 279 of Die Wand und Bodenstanduhren der Habsburger Monarchie (The wall and longcase clocks of the Habsburg Monarchy) Provenance : The private collection of Anthony Woodburn. SW03 Signed / Inscribed F. M. Rannar, Wien
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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