Skip to content
English ebonised triple fusee bracket clock, hallmarked London 1771 — view 1 of 1
View 1 of 1 · Image: Gardiner Houlgate · original image source (opens another website in a new tab)

Clocks · Bracket clock

English ebonised triple fusee bracket clock, hallmarked London 1771

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
1771 (hallmarked London)
Country of origin
England
Object type
Bracket clock
Materials / technique
ebonised
Dimensions
Height 21.5 in (55 cm)
Lot
Sale 7, lot 1415
Credit line
Auction lot record: lot 1415, Fine Clocks, Gardiner Houlgate (27th October 2022)
Catalogue title (original)
Fine English ebonised triple fusee bracket clock, the 7" brass arched dial signed Paul Rimbault, Denmark Street, Soho, London 1771 to the silvered dial centre, with subsidiary calendar aperture, enclo (English)

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 7, lot 1415), this is a bracket clock, made in England, dated 1771 (hallmarked London). The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 21.5 in (55 cm). The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Gardiner Houlgate

Fine English ebonised triple fusee bracket clock, the 7" brass arched dial signed Paul Rimbault, Denmark Street, Soho, London 1771 to the silvered dial centre, with subsidiary calendar aperture, enclosed by a silvered chapter ring and surmounted by a later subsidiary dial to the arch with selection hand for ten bell chime/Whittington, chimes/eight bell chimes and strike/silent lever, the movement with quarter chiming train and playing on a nest of ten bells and striking the hours on another, with meandering foliate engraved back plate and locking pendulum, within a stepped case with gilded brass caryatid mounts to the four corners, surmounted by four gilt brass acorns, a caddy top and carrying handle, 21.5" high (pendulum & Key) ** This clock has been converted from verge to anchor escapement

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Related records