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English 19th century mahogany triple fusee striking bracket clock — view 1 of 4
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Clocks · Bracket clock

English 19th century mahogany triple fusee striking bracket clock

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
19th century
Country of origin
England
Object type
Bracket clock
Materials / technique
mahogany
Dimensions
Height 23 in (58 cm)
Lot
Sale 42, lot 1196
Credit line
Auction lot record: lot 1196, Fine Clocks & Related Items, Gardiner Houlgate (22nd October 2026)
Catalogue title (original)
Good English 19th century mahogany triple fusee striking bracket clock, 11" x 8" arched brass dial signed Thomas Bell, London, with subsidiary slow/fast and chime/silent dials to the arch, over a silv (English)

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Record summary

Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 42, lot 1196), this is a bracket clock, made in England, dated 19th century. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany. Recorded dimensions: Height 23 in (58 cm). The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Gardiner Houlgate

Good English 19th century mahogany triple fusee striking bracket clock, 11" x 8" arched brass dial signed Thomas Bell, London, with subsidiary slow/fast and chime/silent dials to the arch, over a silvered Roman numeral chapter ring with outer Arabic minute numerals, cast foliate spandrels and matted centre, pierced steel hands, the substantial unsigned heavy brass plate movement with anchor escapement striking the hours and quarters on a nest of eight bells and a gong, within a mahogany caddy top case with brass grille side panels, glazed back door and surmounted with gilt metal pineapple finials and a swing carry-handle upon ogee bracket feet, 23" high with the handle raised (with pendulum)

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapement

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