Clocks · Longcase clock
Early 18th century seaweed marquetry and walnut longcase clock of one-month duration by Charles Goode, London
- Maker / attribution
- Charles Goode (maker)
- Date
- early 18th century
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Longcase clock
- Materials / technique
- walnut, marquetry
- Dimensions
- Height 84 in (213 cm)
- Auction house
- Gardiner Houlgate (auction house), Corsham
- Lot
- Sale 41, lot 1289
- Credit line
- Auction lot record: lot 1289, Fine Clocks & Related Items, Gardiner Houlgate (21st May 2026)
- Catalogue title (original)
- Charles Goode, London - Fine early 18th century seaweed marquetry and walnut longcase clock of one-month duration, the 12-inch dial with mask and foliate spandrels, signed silvered chapter ring with h (English)
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Record summary
Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 41, lot 1289), this is a longcase clock by Charles Goode, made in London, England, dated early 18th century. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: walnut, marquetry. Recorded dimensions: Height 84 in (213 cm). The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Lot description — Gardiner Houlgate
Charles Goode, London - Fine early 18th century seaweed marquetry and walnut longcase clock of one-month duration, the 12-inch dial with mask and foliate spandrels, signed silvered chapter ring with half and quarter-hour markers, matted centre with calendar aperture and subsidiary seconds dial, the movement with five knopped and ringed pillars, reversed trains with internal rack striking on a bell, the case with a flat-topped hood with moulded cornice over blind fretwork, gilt-capped ebonised columns, the trunk with concave throat moulding, panelled sides, moulded door with a gilt lenticle, the base with matching seaweed marquetry and moulded plinth, 84" high (with a pair of brass capped weight, pendulum, winding key and two door keys) ** From a private collection and currently functioning. ** Charles Goode was made free of the Clockmakers Company in 1686 and he had his own workshop in the Strand, London. He was thought to have died in 1730
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement
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