
Clocks · Bracket clock
Bracket clock by Charles Goode, London, c. 1715–1720
- Maker / attribution
- Charles Goode (maker)
- Date
- c. 1715–1720
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- walnut
- Dimensions
- Height 42 cm
- Stock no.
- SKU 486
- Credit line
- Dealer listing, Howard Walwyn (SKU 486)
- Catalogue title (original)
- CHARLES GOODE. A rare George I period walnut veneered table clock by this excellent maker. (English)
View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 486), this is a bracket clock by Charles Goode, made in London, England, dated c. 1715–1720. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: walnut. Recorded dimensions: Height 42 cm. The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
A rare George I period walnut veneered table clock by this excellent maker. The eight day movement, which strikes the hours on a single bell, has a verge escapement, short lenticular bob pendulum and pull quarter repeat work on six bells. There is a subsidiary dial at the top of the arch dial for strike/silent. The 6 inch dial has foliate and satyr head corner spandrels and a silvered brass chapter ring with fleur-de-lys half-hour markers and inside quarters. The date indicator is inset above 6 o’clock above which the maker’s signature is engraved on a cartouche set inside the dial plate. There is also a central crescent shaped aperture for the false pendulum within the finely matted dial centre. The elaborate back plate is engraved with beautiful floral and foliate scrolls, pairs of winged birds and trumpeting cherubs. The maker’s name Charles Goode, London is set on an oval cartouche just below the centre. There is a fine outer boarder of wheatear engraving. The exceptional case is constructed primarily in chestnut and veneered with beautifully figured and patinated walnut. It has an inverted bell top with a brass carrying handle and the very unusual feature of hinged opening side doors. Date : circa 1715-1720 Height : 16 ½ in (42 cm) Width: 10 ½ in (26.5 cm) Depth: 6 ¾ in (17.5 cm) * Charles Goode was made free of the Clockmakers Company in 1686 and he had his own workshop in the Strand, London where he had a number of apprentices. He is said to have died in 1730. There are a number of similarities between his work and that of Daniel Delander, Daniel Quare and John Ellicott. With this clock there is the beautifully executed dial with its matted centre, fleur de lys half hour markers on the chapter ring, finely wrought blued steel hands and well cast brass corner spandrels. I believe that this clock was found in Italy and is the second walnut table clock by Goode we have known which was found there. The elegant case is very unusual with its chestnut carcase timber and front door which opens from right to left. The original side opening doors with their miniature brass latches and pinned hinges are almost unique and hark back to the very first table clocks. The rear door, which also opens from right to left, has a large rectangular glass aperture to show off the exceptionally beautiful backplate, another very unusual feature. The internal surfaces of the case and original seatboard are dry and untouched. A further example of Goode’s work is the wonderful miniature marquetry longcase illustrated on plate 13 page 260 of “ Early English Clocks ” by Dawson, Drover and Parkes . In the same volume there is a fine three train quarter repeating ebony bracket clock shown in plates 580, 581 and 717. We ourselves had a miniature lantern clock and two small ebony veneered bracket clocks by Goode notable for their exquisite engraving, distinctive high grade movements, and the bolection mouldings on the front doors of the cases. See plates 40 on page 98 of “ The Wetherfield Collection of Clocks “ by Eric Bruton . Charles Goode is in our view one of a small number of great underrated makers like Edmund Appley, Claudius Duchesne, Richard Street and Christopher Gould. The exceptional quality of their actual clocks greatly exceeds their reputations, but with greater knowledge amongst collectors, dealers and other cognoscenti this is beginning to change. HW5983
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:FuseeAnchor (recoil) escapement
Related records
Clocks · early 18th century
Early 18th century seaweed marquetry and walnut longcase clock of one-month duration by Charles Goode, London
Gardiner Houlgate (auction house), Corsham
Clocks · 1598–1603
Circular table-clock with calendrical and lunar indications made by Nicholas Vallin in London between 1598 and 1603.
Science Museum Group, London
Clocks · 1611
English iron lantern clock, with wheel balance, by John Holloway, Market Lavington, Wiltshire, England, 1611.
Science Museum Group, London
Clocks · 1630
Lantern clock by Francis Forman, England, 1630
Science Museum Group, London
Clocks · 1632–1640
Turret clock, England, 1632–1640
Science Museum Group, London
Clocks · 1645–1655
Balance-wheel brass lantern clock, with two driving weights and one counterweight, by Thomas Knifton, Cross Keys, Lothbury, London, England, 1645–1655.
Science Museum Group, London
Clocks · c. 1650
Lantern alarm clock, silver, by David Bouquet, circa 1650
Victoria and Albert Museum, London
Clocks · 1650–1660
Lantern clock by Peter Closon, England, 1650–1660
Science Museum Group, London
