
Clocks · Bracket clock
Bracket clock by Stephen Rimbault, London, c. 1780
- Maker / attribution
- Stephen Rimbault (maker)
- Date
- c. 1780
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- ebonised
- Dimensions
- Height 27 cm
- Stock no.
- Product 5202
- Credit line
- Dealer listing, Howard Walwyn (product 5202)
- Catalogue title (original)
- STEPHEN RIMBAULT. A fine George II period ebonised bracket clock by this excellent London Clockmaker. (English)
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Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number Product 5202), this is a bracket clock by Stephen Rimbault, made in London, England, dated c. 1780. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 27 cm. The record is illustrated with 5 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
A fine George II period ebonised bracket clock by this excellent London Clockmaker. The break-arch case is beautifully proportioned, surmounted by a gilt brass carrying handle and 3-pad moulded top. It rests on a moulded base with block feet and has glazed side panels to reveal the movement within. The front door features a simple brass escutcheon and lock. The deep black finish contrasts well with the gilt detailing of the dial and spandrels. The 5-inch arch dial has a raised silvered brass chapter ring with Roman hour numerals and Arabic five minute markers. There is a central disc for setting the alarm and an inset date aperture above VI. The maker’s signature, Step.n Rimbault, London , is engraved on an inset cartouche between XI and I. A subsidiary strike/silent dial occupies the arch, enclosed by beautifully engraved foliate spandrels. The finely pierced and chased hands are of blued steel and appear to be original. The backplate of the movement is profusely engraved with interlacing flowers and foliage. This decoration is repeated on the apron of the backcock and the alarm pulley. The maker’s name, Step.n Rimbault, London , is inscribed in flowing script, slightly beneath the centre. The high-quality twin fusee movement has a verge escapement and strikes and repeats the hours on a bell. There is also an alarm train. Height: 10 ½ in (27 cm) excluding handle Height: 11 ¾ in (30 cm) including handle Width: 7 ⅘ in (20 cm) Depth: 5 ¾ in (14.5cm) * Stephen Rimbault , born John Stephen Rimbault, worked in Great St Andrew’s Street between 1744- 1785. He is listed on page 656 of Brian Loomes’s Watchmakers and Clockmakers of the World: Complete 21st Century Edition . He is best known today for his musical and ornamental clocks often made for the export market, including for the Chinese Imperial court. This small elegant example, however, reflects his domestic craftsmanship at its most refined. Rimbault was admitted to the Worshipful Company of Clockmakers in 1744, and his surviving clocks are increasingly recognised for their intrinsic quality and beauty. HW6558
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
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