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Bracket clock by Claudius du Chesne, London, c. 1725 — view 1 of 5
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Clocks · Bracket clock

Bracket clock by Claudius du Chesne, London, c. 1725

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Claudius du Chesne (maker)
Date
c. 1725
Country of origin
England
Place
London
Object type
Bracket clock
Stock no.
SKU 412
Credit line
Dealer listing, Howard Walwyn (SKU 412)
Catalogue title (original)
CLAUDIUS DU CHESNE LONDINI FECIT. An exceptional George I period architectural table clock of small proportions. (English)

View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 412), this is a bracket clock by Claudius du Chesne, made in London, England, dated c. 1725. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. The record is illustrated with 5 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

An exceptional George I period ebonised and brass moulded breakfront architectural table clock of small proportions by this well-known Huguenot maker. The 8-day movement, which strikes the hours on a single bell, has a verge escapement, short bob pendulum and pull quarter repeatwork on six bells. There is a subsidiary dial in the arch of the dial for the phases of the moon. The maker’s signature Claudius Du Chesne Londini Fecit is on an arched plaque above the moon dial and below it are two subsidiary dials for rise/fall and sonne/silance . The 5 ½ inch dial has a finely matted centre and a raised chapter ring with fleur-de-lys half-hour markers. The date indicator is inset above VI and there is a crescent shaped aperture for the false pendulum within the dial centre. It has nicely facetted blued steel hands. The elaborate backplate is profusely engraved with insects, birds, flowers and scrolling foliage, a well-executed wheatear border, a winged cherub armed with a bow and arrow and two cornucopia of fruit. The lenticular shaped brass pendulum bob has ring turning. The architectural case is constructed primarily in oak and veneered with ebonised pearwood. It has an inverted belltop with a carrying handle to each side and two sets of four urn finials with delicate brass engraved sound frets to the front and sides. Both the fully opening front and back doors have brass strung reeded pillars with capitals and bases. The case stands on a brass moulded inset stepped base. The clock has a bespoke ebonised brass moulded wall bracket with a key drawer to match. Height : 13 ⅞ in (35.25 cm) Width : 10 ½ in (26.5 cm) Depth : 7 ⅝ in (19.5 cm) *Claudius Du Chesne was active in London in the first quarter of the 18 th century. He moved from Paris to London around 1690 and was in the Clockmakers’ Company from 1693 to 1730 when he worked from Dean Street, Soho. He made a number of fine longcase and table clocks and he is generally regarded as one of the finest of the French Huguenot clockmakers working in London. References : B. Loomes, Clockmakers of Britain 1286 – 1700 , p. 27 B. Loomes, Clockmakers of the World: 21 st Century Edition , p. 227 HW6171

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeAnchor (recoil) escapement

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