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Audemars Piguet table clock, Royal Oak Offshore, circa 2017-2020 — view 1 of 2
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Clocks · Table clock

Audemars Piguet table clock, Royal Oak Offshore, circa 2017-2020

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Audemars Piguet (brand / maker)
Date
c. 2017-2020
Country of origin
Switzerland
Object type
Table clock
Materials / technique
stainless steel
Lot
Lot 351-50
Credit line
Auction lot record: LOT 50, Hong Kong, May 28, 2022
Catalogue title (original)
AUDEMARS PIGUET, ROYAL OAK OFFSHORE, STEEL (English)

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Antiquorum auction archive, Geneva (lot Lot 351-50), this is a table clock by Audemars Piguet, made in Switzerland, dated c. 2017-2020. The Atlas places it in the Contemporary Horology period (2010 – Present) of its Clocks collection. Materials and techniques recorded by the source: stainless steel. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Antiquorum catalogue description

Fine, stainless steel, Royal Oak offshore table clock with alarm and white dial

Lot specifications (Antiquorum)

Model: Royal Oak Offshore; Movement No.: quartz; Material: stainless steel; Dimensions: Ø65mm; Signature: Case, Dial and Movement; Accessories: Audemars Piguet fitted box, warranty

Inscriptions & marks

Case, Dial and Movement

Historical context

Contemporary Horology (2010 – Present)

Silicon components, connected watches, optical-lattice research clocks and a thriving independent scene.

Today time is distributed by satellite navigation and networks with nanosecond accuracy, while mechanical clocks are made as art, design and craft objects. Contemporary designers explore the clock as sculpture and kinetic art.

Read the period in the timelineMore clocks from this periodEarlier: Mechanical Renaissance

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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