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Clocks · Wall clock

Wall Clock by Jabez C. Baldwin

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Jabez C. Baldwin (maker); (ornament painted by) Willard and Nolen (artist)
Date
1805–9
Country of origin
United States
Place
Salem
Object type
Wall clock
Materials / technique
mahogany, white pine
Dimensions
45 1/4 × 11 5/8 × 3 3/4 in. (114.9 × 29.5 × 9.5 cm) other (Dial): 7 7/8 in. (20 cm) other (Movement): 4 3/8 × 2 3/4 × 1 5/8 in. (11.1 × 7 × 4.2 cm)
Accession / object no.
1930.2194a-b
Credit line
Mabel Brady Garvan Collection
Catalogue title (original)
Wall Clock (English)

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Record summary

Held and catalogued by Yale University Art Gallery, New Haven (object number 1930.2194a-b), this is a wall clock by Jabez C. Baldwin, made in Salem, United States, dated 1805–9. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany, white pine. Recorded dimensions: 45 1/4 × 11 5/8 × 3 3/4 in. (114.9 × 29.5 × 9.5 cm) other (Dial): 7 7/8 in. (20 cm) other (Movement): 4 3/8 × 2 3/4 × 1 5/8 in. (11.1 × 7 × 4.2 cm). The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Yale University Art Gallery

During the last part of the eighteenth century, a variety of smaller wall and shelf clocks were invented that challenged the supremacy of the more expensive tall clock. Wall clocks of the banjo type (known in the period as a "patent timepiece") were developed by Simon Willard around 1795. This example follows Willard's invention and bears the name of the Salem silversmith and clockmaker Jabez Baldwin.

Published references — Yale University Art Gallery

Edwin A. Battison and Patricia E. Kane, The American Clock, 1725–1865: The Mabel Brady Garvan and Other Collections at Yale University (Greenwich, Conn.: New York Graphic Society, 1973), 194–195, no. 45, ill. · Elise K. Kenney, ed., Handbook of the Collections: Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 1992), 93, ill.

Provenance

Henry V. Weil, New York; Francis P. Garvan, New York. Gift in 1930 to Yale University Art Gallery, New Haven, Conn.

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Regulators, wall and Vienna clocks

A regulator is a precision pendulum clock used as a time standard in observatories, workshops and railway offices. Typical features are a deadbeat or Graham escapement, a temperature-compensated pendulum (mercury jar, gridiron or later invar), maintaining power and a regulator dial that separates hours, minutes and seconds. George Graham's deadbeat escapement (c. 1715) and his mercury pendulum, together with Harrison's gridiron, set the pattern for two centuries.

Wall clocks span a much wider range: the elegant Viennese Laterndluhr and Dachluhr of the Biedermeier period, the Dutch stoelklok and staartklok, English 'dial' clocks used in schools, offices and railway stations, and mass-produced spring and weight wall clocks from Germany (Gustav Becker, Junghans, Kienzle) and America.

What to look for

  • Deadbeat escapement and compensated pendulum (gridiron rods, mercury jar or wood rod).
  • A regulator dial with a large central minute hand and separate hour and seconds dials.
  • Vienna regulators: glazed cases, slender pendulum, small weights, enamel two-piece dials.
  • German factory trademarks stamped on the backplate (e.g. Gustav Becker anchor and crown, Junghans star).

Dating clues

  • Graham-type deadbeat regulators: from c. 1720.
  • Viennese Laterndluhr: c. 1800–1850.
  • German factory 'Vienna-style' regulators: c. 1870–1930; Gustav Becker serial numbers allow close dating.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Deadbeat escapementAnchor (recoil) escapementGrasshopper escapement

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