Clocks · Longcase clock
Marquetry longcase clock by Cornelius Harbert, London
- Maker / attribution
- Cornelius Harbert (maker)
- Date
- c. 1700
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Longcase clock
- Materials / technique
- marquetry
- Dimensions
- Height 206 cm
- Stock no.
- Product 3395
- Credit line
- Dealer listing, The Antique Clock Company (product 3395)
- Catalogue title (original)
- CORNELIUS HARBERT LONDON MARQUETRY LONGCASE CLOCK (English)
View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by The Antique Clock Company (dealer), Dorset (stock number Product 3395), this is a longcase clock by Cornelius Harbert, made in London, England, dated c. 1700. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: marquetry. Recorded dimensions: Height 206 cm. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — The Antique Clock Company
Experience the grandeur of late 17th-century craftsmanship with this superb Cornelius Harbert Longcase Clock, an exquisite example of artistry and design from circa 1700. The walnut case, adorned with intricate floral marquetry, showcases a profusion of flowers, urns, and a pair of figures supporting a shield. The trunk door features a charming glazed oval lenticle, while the flat-top hood boasts a decorative marquetry panel, barley twist columns, and convex throat mouldings for added elegance. The 11-inch square dial is a masterpiece in itself, featuring finely cast cherub head spandrels, a meticulously matted centre, a subsidiary seconds dial, ringed winding holes, and an intricately engraved three-crown calendar box. Powered by a high-quality 8-day, five-pillar movement, this clock strikes the hours on a bell via a count wheel, offering both precision and reliability. This exceptional timepiece blends functionality with stunning decorative appeal, making it a true treasure for collectors and connoisseurs of antique horology. Height: 81″ or 206 cm
Provenance
Private collection, UK
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Longcase (tall-case or grandfather) clocks
The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.
By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.
What to look for
- Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
- Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
- Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
- Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
- Whether the movement and dial match the case — 'marriages' are common.
Dating clues
- Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
- Painted (white) dials were made by Birmingham dial-makers from about 1772.
- Comtoise clocks with repoussé pendulums are mostly nineteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement
Related records
Clocks · 1598–1603
Circular table-clock with calendrical and lunar indications made by Nicholas Vallin in London between 1598 and 1603.
Science Museum Group, London
Clocks · 1611
English iron lantern clock, with wheel balance, by John Holloway, Market Lavington, Wiltshire, England, 1611.
Science Museum Group, London
Clocks · 1630
Lantern clock by Francis Forman, England, 1630
Science Museum Group, London
Clocks · 1632–1640
Turret clock, England, 1632–1640
Science Museum Group, London
Clocks · 1645–1655
Balance-wheel brass lantern clock, with two driving weights and one counterweight, by Thomas Knifton, Cross Keys, Lothbury, London, England, 1645–1655.
Science Museum Group, London
Clocks · c. 1650
Lantern alarm clock, silver, by David Bouquet, circa 1650
Victoria and Albert Museum, London
Clocks · 1650–1660
Lantern clock by Peter Closon, England, 1650–1660
Science Museum Group, London
Clocks · c. 1660
Longcase clock, c. 1660, English, made by Ahasuerus Fromanteel
Victoria and Albert Museum, London