
Clocks · Clock
Mantel Clock the Mounted Hussar. France, MID-19th Century
- Maker / attribution
- Unrecorded in source
- Date
- MID 19th century
- Historical period
- Industrial Revolution (1850 – 1900)
- Country of origin
- France
- Object type
- Clock
- Materials / technique
- brass, bronze, gilt, enamel, gold, glass
- Dimensions
- Height: 44 cm; Width: 30.5 cm; Depth: 11 cm
- Auction house
- Invaluable auction listings
- Lot
- Lot B93A2AC57E
- Credit line
- Auction lot record: lot 316, ANTIQUES & FINE ART, Maison Antiqon (2026), via Invaluable
- Catalogue title (original)
- MANTEL CLOCK THE MOUNTED HUSSAR. FRANCE, MID-19TH CENTURY (English)
View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by Invaluable auction listings (lot Lot B93A2AC57E), this is a clock, made in France, dated MID 19th century. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: brass, bronze, gilt, enamel, gold, glass. Recorded dimensions: Height: 44 cm; Width: 30.5 cm; Depth: 11 cm. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Lot description — Maison Antiqon
An impressive French mantel clock executed in the expressive Romantic style of the mid-19th century. The composition is surmounted by a dynamic bronze figure of a mounted hussar charging up a rugged rocky slope. Depicted on a rearing horse with drawn sabre, the rider conveys exceptional energy and dramatic intensity. The distinctive Hungarian shako and military attire reflect the widespread fascination within European Romanticism with the figure of the Hungarian hussar, regarded as one of the most enduring symbols of heroism and martial valour during the mid-19th century. Such allegorical compositions became a hallmark of French decorative arts, embodying the periods fascination with historical narratives and military subjects. Despite its frontal presentation, the sculptural group is conceived asymmetrically, creating a compelling impression of vigorous movement. The clock case is richly ornamented with relief decoration inspired by the French Renaissance Revival, a characteristic feature of French artistic bronze production of the mid-19th century. The contrast between the fire-gilt bronze case and the dark patinated horse enhances the sculptural modelling, while the refined chasing and meticulous surface finishing demonstrate a high level of artistic conception and bronze-casting craftsmanship. The circular white enamel dial with Roman numerals is harmoniously integrated into the architectural structure of the base, successfully combining sculptural expression with practical function. The clock is a distinguished example of French artistic bronze of the mid-19th century, uniting exceptional craftsmanship with a powerful historical and decorative programme. Dimensions: Height: 44 cm. Width: 30.5 cm. Depth: 11 cm. Condition: Good condition. The movement has undergone a complete professional overhaul. Width: 30.5cm, Height: 44cm, Depth: 11cm, Weight: 5kg, Condition: Signs of wear commensurate with age, Material: GLASS, Brass, Gilded bronze, Gold metal, ID: ID-ANTQ-1552
Historical context
Industrial Revolution (1850 – 1900)
American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.
Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.
Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology
Atlas type guide
Mantel and French pendule clocks
The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.
The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.
What to look for
- Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
- Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
- Visible Brocot escapement on the dial in later clocks.
- Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
- Signed dials naming a retailer rather than the movement maker.
Dating clues
- Silk-suspension Paris movements: c. 1800–1850.
- Brocot suspension and visible escapements: after c. 1840.
- Exhibition medal stamps on movements give dates after the medal year.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
Related records
Clocks · 1840–1878
Mantel clock by A. Brocot, France, 1840–1878
Science Museum Group, London
Clocks · c. 1855
Ormolu and enamel clock, Paris, ca.1855, made by Lévy Frères.
Victoria and Albert Museum, London
Clocks · c. 1850
Table clock, France, c. 1850
German Clock Museum
Clocks · c. 1850
Wall clock by Charles et Merz Zehringer, France, c. 1850
German Clock Museum
Clocks · c. 1860
Mantel clock, French, c. 1860
Victoria and Albert Museum, London
Clocks · c. 1860
[*] French Clock under glass dome
Victoria and Albert Museum, London
Clocks · c. 1860
Clock by Auguste-Emile Rinquet-Leprince, France, c. 1860
The Metropolitan Museum of Art, New York
Clocks · 1860–1870
Clock by Raingo Frères, France, 1860–1870
Victoria and Albert Museum, London
