Mantle clock, French, ca. 1860 — view 1 of 1
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Clocks · Mantel clock

Mantle clock, French, ca. 1860

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Adolphe Japy
Date
ca. 1860
Country of origin
France
Place
France
Object type
Mantel clock
Materials / technique
Ormolu with porcelain plaques and clock face, and velvet covered wooden plinth
Dimensions
Height: 31.7 cm; Width: 28 cm; Depth: 12.2 cm
Accession / object no.
M.10-1981
Credit line
Given by A.W. Deacon

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number M.10-1981), this is a mantel clock by Adolphe Japy, made in France, dated ca. 1860. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: Ormolu with porcelain plaques and clock face, and velvet covered wooden plinth. Recorded dimensions: Height: 31.7 cm; Width: 28 cm; Depth: 12.2 cm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

This mantle clock is of an elaborate form, inlaid with five turquoise, white and gold porcelain plaques with coloured bouquets of flowers. The closk face, also of porcelain, is similarly decorated. The ormolu mounts consists of scroll shapes and wreaths. The finial of the clock is an urn with a putto seated on top.

V&A — Physical description

Mantle clock in ormolu set with five porcelain plaques and porcelain clock face. With velvet covered wooden plinth and key. French ca. 1860. Escapement by Japy Freres & Co. (Adolphe Japy, 1813-1897).

Historical context

Industrial Revolution (1850 – 1900)

American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.

Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.

Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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