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Mantel clock by E. de Labroue, France, 1852–1855 — view 1 of 3
View 1 of 3 · Image: © 2002 GrandPalaisRmn (musée du Louvre) / Jean-Gilles Berizzi · original image source (opens another website in a new tab)

Clocks · Mantel clock

Mantel clock by E. de Labroue, France, 1852–1855

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
E. de Labroue (maker); Jean Jacques Feuchère (maker)
Date
1852–1855
Country of origin
France
Place
Paris, France
Object type
Mantel clock
Materials / technique
bronze
Dimensions
height 0,79 m; width 0,499 m; depth 0,31 m; height 0,45 m; height 0,35 m; height 0,07 m
Holding institution
Musée du Louvre, Paris
Accession / object no.
OA 11911
Credit line
Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original)
Pendule Michel-Ange (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number OA 11911), this is a mantel clock by E. de Labroue, made in Paris, France, dated 1852–1855. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: bronze. Recorded dimensions: height 0,79 m; width 0,499 m; depth 0,31 m; height 0,45 m; height 0,35 m; height 0,07 m. The record is illustrated with 3 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Deux atlantes, un genou à terre, de part et d'autre du cadran, forment le soubassement que surmonte une statuette représentant Michel-Ange assis, accoudé à une figure d'esclave. Le modèle du Michel-Ange du sculpteur Jean-Jacques Feuchère, refusé par le jury du salon de 1843, fut édité en pendule par le bronzier Vittoz, puis par son successeur Labrouë. L'œuvre est marquée par le style néo-Renaissance qui apparut sous la Monarchie de Juillet (1830-1848) et marqua divers domaines des arts décoratifs.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Epoque / période : Second Empire (1852-1870) (Occident->époque contemporaine) · · Date de création/fabrication : 1852 - 1855

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : bronze · Technique : patiné = patine (techniques métal) · Technique : doré = dorure (techniques métal)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Inscriptions & marks

Signature : ; E de LABROUE (sur le socle, en creux) ; E DE LABROUE A PARIS (cadran) ; E. de Labroue fbt (à la base du groupe, à droite) ; Feuchère scpt (à la base du groupe, à gauche)

Provenance

Galerie André Lemaire ; acquisitiion, 1999

Historical context

Industrial Revolution (1850 – 1900)

American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.

Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.

Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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