
Clocks · Bracket clock
Mahogany striking bracket clock by Robert Wood, London
- Maker / attribution
- Robert Wood (maker)
- Date
- c. 1810
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- mahogany
- Dimensions
- Height 63 cm
- Stock no.
- Product 3000
- Credit line
- Dealer listing, The Antique Clock Company (product 3000)
- Catalogue title (original)
- MAHOGANY STRIKING BRACKET CLOCK – ROBERT WOOD – LONDON (English)
View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by The Antique Clock Company (dealer), Dorset (stock number Product 3000), this is a bracket clock by Robert Wood, made in London, England, dated c. 1810. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: mahogany. Recorded dimensions: Height 63 cm. The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — The Antique Clock Company
An 8-day twin fusee striking movement consisting of five pillars, with anchor escapement striking the hours to a bell via a rack and snail striking system, which can also be silenced. There is also a repeating function. The inverted bell top case is magnificent in its style and construction and uses the finest flame mahogany veneers. The gilded mounts are of excellent quality, and five pineapple-shaped finials surmount the top of the case. The sides of the case are glazed with carrying handles above. The rear door is also glazed. The engraved brass and porcelain break arch dial with subsidiary strike/silent dial in the break arch, consisting of Roman numerals and signed ‘Robert Wood London’, finished with the original finely cut gilded brass hands. Height: 25″ or 63 cm Width: 14″ or 36 cm Depth: 8 ¼” or 21 cm (Pictures taken pre-restoration)
Provenance
Private collection – U.K.
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Verge escapement
Related records
Clocks · c. 1790
Grandfather Clock by Robert Wood, London, c. 1790
Pendulum of Mayfair (dealer), London
Clocks · 1740–1760
Longcase clock, English, 1740–1760, japanned wood, John Ellicott
Victoria and Albert Museum, London
Clocks · c.1750
Long-case clock, English, ca. 1750, by Richard Peyton of Gloucester
Victoria and Albert Museum, London
Clocks · 1751
Large wheel engine, signed and dated "John Tipping, Whildon Green, 1751".
Science Museum Group, London
Clocks · 1755
Bracket clock by John Fordham, England, 1755
The Metropolitan Museum of Art, New York
Clocks · c. 1760
Longcase clock by James Cox, England, c. 1760
Victoria and Albert Museum, London
Clocks · 1766
Clock by Alexander Cumming, England, 1766
Science Museum Group, London
Clocks · 1768–1769
Regulator clock by John Shelton, England, 1768–1769
Science Museum Group, London
