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Louis XVI Period white Marble Portico Clock, 18th Century — view 1 of 4
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Clocks · Clock

Louis XVI Period white Marble Portico Clock, 18th Century

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Unrecorded in source
Date
18th century
Country of origin
Unrecorded in source
Object type
Clock
Materials / technique
bronze, marble, enamel
Lot
Lot 9D0A2297D2
Credit line
Auction lot record: lot 185, Wunderkammer & Objets de Vertu | Historical Clocks & Timepieces | An Old Masters Print Collection, Marcopolo Auctions Milano (2026), via Invaluable
Catalogue title (original)
LOUIS XVI PERIOD WHITE MARBLE PORTICO CLOCK, 18TH CENTURY (English)

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Record summary

Catalogued by Invaluable auction listings (lot Lot 9D0A2297D2), this is a clock, dated 18th century. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: bronze, marble, enamel. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Marcopolo Auctions Milano

h cm 58 x l cm 43, Case with fluted columns and gilded bronze decorations featuring floral motifs. The large vase in the centre houses the mechanism, which chimes on the hour and half-hour. Enamel dial with vertical Arabic numerals. Silk-suspended pendulum.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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