Clock by Jobst Bürgi (ascribed to), Czech Republic, 1600–1699 — view 1 of 1
View 1 of 1 · Image: Fine Arts Museum Vienna · original image source

Clocks · Clock

Clock by Jobst Bürgi (ascribed to), Czech Republic, 1600–1699

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Jobst Bürgi (ascribed to) (creator); Jobst Bürgi (Zugeschrieben an) (creator)
Date
1600–1699
Country of origin
Czech Republic
Place
Czech Republic
Object type
Clock
Holding institution
Fine Arts Museum Vienna
Accession / object no.
KK_1116
Catalogue title (original)
Vienna’s crystal clock; table clock (English)

View the source record ↗

Record summary

Held and catalogued by Fine Arts Museum Vienna (object number KK_1116), this is a clock by Jobst Bürgi (ascribed to), made in Czech Republic, dated 1600–1699. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description from Fine Arts Museum Vienna (English)

Caption: Signature: Jobst Burgi Fe: (twice in clockwork)

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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