
Wristwatches · Wristwatch
Louis Erard X Alain Silberstein La Semaine Blanche, 2022
- Maker / attribution
- Louis Erard X Alain Silberstein (maker)
- Date
- 2022
- Historical period
- Contemporary Horology (2010 – Present)
- Country of origin
- Unrecorded in source
- Object type
- Wristwatch
- Dimensions
- Case 40 mm
- Stock no.
- Product 6880084983895
- Credit line
- Dealer listing, S.Song Watches (product 6880084983895)
- Catalogue title (original)
- Louis Erard X Alain Silberstein La Semaine Blanche (English)
View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by S.Song Watches (dealer), Seattle (stock number Product 6880084983895), this is a wristwatch by Louis Erard X Alain Silberstein, dated 2022. The Atlas places it in the Contemporary Horology period (2010 – Present) of its Wristwatches collection. Recorded dimensions: Case 40 mm. The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — S.Song Watches
Founded in 1929, Louis Erard is a watchmaker filled with heritage and history. Selling watches under their own banner since 1931, the brand was eventually acquired in the 1990s before it was later relaunched during the independent watchmaking boom of the early 2000s. Now established with a strong design language that doesn't break the bank to buy into, Louis Erard has built up a passionate customer base that continues to grow thanks to the popularity and success of their collaborative projects and impressive individual exploits. One of their most successful collaborations is with the famed French designer and watchmaking industry veteran Alain Silberstein. Released in 2021 as Louis Erard's second collaboration with Alain Silberstein following the duo's first collaboration in 2019, the Le Triptyque Louis Erard x Alain Silberstein was a trio of timepieces that each featured a unique set of functions and layout while also being limited to just 178 pieces each. In similar fashion, Louis Erard and Alain Silberstein then subsequently came out with two more white dialed versions which can also be purchased as a set called the ‘Diptyque’. One of the two new white dial models is this La Semaine Blanche variant, which is also the reference we have on offer here today. Sharing the same 40mm case as its other sibling models, the La Semaine Blanche is an exceedingly unique timepiece that features vertical sidebars, or 'brancards' as they are also known that are reminiscent of independent watchmaking powerhouse De Bethune's floating lugs. To highlight the various parts of the case, it is made from two different materials with different surface finishes. Made from micro-blasted grade 2 titanium, its lugs, case, and bezel all sport a matte finish, while its grade 5 titanium vertical sidebars feature a polished finish. Featuring the most vital piece of Alain's signature visual style is the La Semaine Blanche's dial. A silver matte opaline dial hosting multi-colored hands made from various shapes, the La Semaine Blanche tastefully blends yellow with red and blue to create a visual delight. Just like its other black-dialed counterpart, the La Semaine Blanche also features a unique day-of-the-week indicator that is represented by a series of smiley emoticons that allows the wearer to set the mood of the day. A humourous yet appropriate complication for modern users today if you ask me. You will also find a date window at 6 o ‘clock just beneath the ‘mood’ indicator aperture. Powering this playful and unique display is the automatic Sellita SW220-1, which features a respectable 38-hour power reserve. Fitted with a sapphire crystal exhibition caseback, the La Semaine Blanche's movement is proudly on full display with its custom Louis Erard winding rotor as it drives this wonderful collaborative timepiece forward.
Historical context
Contemporary Horology (2010 – Present)
Silicon components, connected watches, optical-lattice research clocks and a thriving independent scene.
Smartwatches became the world's best-selling watches, while mechanical watchmaking focuses on craft, innovation (silicon components, new escapements) and independent makers.
Read the period in the timelineMore wristwatches from this periodEarlier: Mechanical Renaissance
Atlas type guide
Wristwatches
Bracelet watches were worn by women from the early nineteenth century — Breguet made one for Caroline Murat, Queen of Naples, in 1810–12 — but the wristwatch only became a man's instrument with military use and aviation in the early twentieth century. Between the World Wars it overtook the pocket watch; the 1920s and 1930s brought rectangular Art Deco cases, water-resistant cases and the first automatic winding systems.
After 1945 the wristwatch became a carrier of identity — dress watches, sports and dive watches, chronographs, calendars — produced by Swiss, American, Japanese, German, Soviet and Chinese industries. The quartz revolution after 1969 and the mechanical renaissance since the 1990s, including the rise of independent watchmakers, complete the story.
What to look for
- The reference number (between the lugs or inside the case back) and serial number, the starting point for dating.
- The calibre: its maker and number are often stamped under the dial or on the bridge.
- Originality of dial, hands and crown — refinished ('redial') dials are common.
- Case material marks: 18K/750, 14K/585, stainless steel, gold-filled, plated.
Dating clues
- Wire-lug cases: before c. 1925.
- Water-resistant screw-down cases: from 1926.
- Quartz movements: from 1969; sapphire crystals widespread after c. 1980.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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