Skip to content
Longcase clock face by John Stokes, England, 1670–1700 — view 1 of 1
View 1 of 1 · Image: © Victoria and Albert Museum, London · original image source (opens another website in a new tab)

Clocks · Longcase clock face

Longcase clock face by John Stokes, England, 1670–1700

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
John Stokes (designed and made by)
Date
1670–1700
Country of origin
England
Place
Saffron Walden
Object type
Longcase clock face
Materials / technique
brass (alloy), engraving
Dimensions
Diameter: 26 cm
Accession / object no.
W.30-1927
Credit line
Given by E Hollander, London

View the source record ↗ (opens another website in a new tab)Suggest a correction

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number W.30-1927), this is a longcase clock face by John Stokes, made in Saffron Walden, England, dated 1670–1700. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: brass (alloy), engraving. Recorded dimensions: Diameter: 26 cm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Summary — Victoria and Albert Museum

In the centre are three circular apertures for winding and the dial is engraved with a design representing a basket of fruit with foliage on a matted ground. The spandrel ornament of chased brass consists of scrollwork with female heads in the centre. On the minute circle is engraved ‘No 54’.

Physical description — Victoria and Albert Museum

Brass clock face with three central circular apertures for winding. The dial is engraved with a design representing a basket of fruit with foliage on a matted ground. The spandrel ornament of chased brass consists of scrollwork with female heads in the centre. On the minute circle is engraved ‘No 54’.

Brief description — Victoria and Albert Museum

Longcase clock face, inscribed ‘John Stokes, Saffron Walden’, made about 1670-1700, engraved brass

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

Related records