Skip to content
Longcase clock by Robert Seignior, London, c. 1680–1685 — view 1 of 5
View 1 of 5 · Image: Howard Walwyn · original image source (opens another website in a new tab)

Clocks · Longcase clock

Longcase clock by Robert Seignior, London, c. 1680–1685

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Robert Seignior (maker)
Date
c. 1680–1685
Country of origin
England
Place
London
Object type
Longcase clock
Materials / technique
walnut, marquetry
Dimensions
Height 197 cm
Stock no.
SKU 468
Credit line
Dealer listing, Howard Walwyn (SKU 468)
Catalogue title (original)
ROBERT SEIGNIOR. A very rare Charles II period floral marquetry, walnut and green bone inlaid 8-Day longcase clock. (English)

View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 468), this is a longcase clock by Robert Seignior, made in London, England, dated c. 1680–1685. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: walnut, marquetry. Recorded dimensions: Height 197 cm. The record is illustrated with 5 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A very rare Charles II period floral marquetry, walnut and green bone inlaid 8-Day longcase clock of beautiful proportions and colour. The case is constructed primarily of oak and veneered with walnut and panels of floral marquetry with green bone inlays. The long grain trunk door mouldings are ebonised. Standing on bun feet the clock retains its original base and there is an ebonised lenticle to the trunk door. The hood is flanked by ebonised barley twist columns and there are beautiful walnut, floral marquetry and green bone inlays below the cornice and in each section around the hood door. The 10 inch square brass dial is mounted with cherub and foliate brass corner spandrels and a silvered brass chapter ring. The dial centre is finely matted with shutters for the bolt and shutter maintaining power. There is also an aperture to view the day of the month above VI. The maker’s signature is inscribed Robert Seignior London on the dial plate below VI. The blued steel hands are finely pierced and faceted and there is a subsidiary seconds dial below XII o’clock. The high quality 8-day duration movement has five ringed pillars and the hours are sounded on a bell via an outside locking plate. Height: 77 ½ in (197 cm) Width: 17 ½ in (44 cm) Depth: 9 ¾ in (25 cm) * Robert Seignior was born in 1645 and he became free of the Clockmakers’ Company in April 1667. He was called to account for ‘contemptible words’ he had used to and about Thomas Claxton, the Master. He was also fined 20 shillings in October 1671 for calling the Clockmakers ‘a company of cheating knaves.’ Among his apprentices were Thomas Cruttenden of York and Samuel Gascoigne. Interestingly, we recently had a longcase clock by the latter maker which was housed in an almost identical early walnut, marquetry and green bone inlaid 10 inch case. Only the second such case we have had in thirty years of handling them. Robert Seignior was obviously highly regarded as a clockmaker despite his tempestuous nature. Circa 1673 – 1674 he was appointed King’s Clock and Watchmaker ‘without fee’ until the death or surrender of office of Edward East, who actually outlived him. Upon Seigniour’s death in 1686, Daniel Quare took over his former premises in Exchange Alley in the parish of St Mary Woolnoth. HW6394

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

Related records