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Wristwatches · Wristwatch

H.Moser & Cie Monard Center Seconds, 2010s

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
H. Moser & Cie (maker)
Date
2010s
Country of origin
Switzerland
Object type
Wristwatch
Dimensions
Case 40.8 mm
Stock no.
Product 6834906300503
Credit line
Dealer listing, S.Song Watches (product 6834906300503)
Catalogue title (original)
H.Moser & Cie Monard Center Seconds (English)

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Record summary

Catalogued by S.Song Watches (dealer), Seattle (stock number Product 6834906300503), this is a wristwatch by H. Moser & Cie, made in Switzerland, dated 2010s. The Atlas places it in the Contemporary Horology period (2010 – Present) of its Wristwatches collection. Recorded dimensions: Case 40.8 mm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — S.Song Watches

H. Moser & Cie is an independent watch brand that has become known as the enfant terrible of the Swiss watchmaking industry. Quite a polarising brand, they made their name initially creating beautiful elegant timepieces but in the last few years, they have really become a force to reckon with by introducing satire into their watchmaking, with pieces such as the one-off ‘Swiss Cheese’ watch and ‘Apple’ watch. I for one think it is refreshing to see that a brand is taking an active stand to criticize and create a commentary on the Swiss watch industry, especially as it comes from a brand with a very strong pedigree. Today we have on offer a watch that came from the 2010s – the H. Moser & Cie Monard Central Seconds Ref. 343.505-017 in 18-carat rose gold. Like most of the independent manufacture’s horological offerings, the Monard is a beautiful, understated and elegant piece with a lot of details going for it. The Monard’s three-part 18-carat rose gold case measures at 40.8mm x 10.9mm, a great size for modern wrists. Despite it looking like a traditional watch case from the front, the construction of the lugs actually gives it a lot of extra depth which makes the case look far more interesting. The case design is done so that the softly beveled lugs run off to the side of the case and slowly diminish, with its polished finish perfectly contrasted with the brushed finish in the background. Another aspect that I really enjoyed about the Monard is its mysterious yet sharp-looking black lacquered dial that is complemented by the applied rose gold markers, which provides a great visual contrast and a touch of elegance. Staring at the dial almost feels like staring into the abyss- there is a certain hypnotic quality to it that adds a lot of complexity to such a simple time-only design. Now, the Monard may look simple from the outside, but the movement encased within is far from that. Internally, it is powered by a very impressive 26-jeweled, manual-winding, in-house caliber HMC 343.505, which beats at 18,000 vph and is regulated by a Straumann hairspring that is produced in-house. The springs move in opposite directions, offsetting gravity errors and impressively, not many manufactures can say they create their own hairsprings! Furthermore, there is a power reserve indicator on the movement and it has a whopping 7-day power reserve thanks to its double barrel system. The movement is beautifully finished and architecturally very pleasing to look at. I love Moser for what they stand for in the watchmaking industry as a whole, and for always being unapologetically authentic to themselves when it comes to modern watch design. With only approximately 1200 pieces produced a year, H. Moser & Cie is truly an enigmatic independent brand that creates highly original timepieces.

Historical context

Contemporary Horology (2010 – Present)

Silicon components, connected watches, optical-lattice research clocks and a thriving independent scene.

Smartwatches became the world's best-selling watches, while mechanical watchmaking focuses on craft, innovation (silicon components, new escapements) and independent makers.

Read the period in the timelineMore wristwatches from this periodEarlier: Mechanical Renaissance

Atlas type guide

Wristwatches

Bracelet watches were worn by women from the early nineteenth century — Breguet made one for Caroline Murat, Queen of Naples, in 1810–12 — but the wristwatch only became a man's instrument with military use and aviation in the early twentieth century. Between the World Wars it overtook the pocket watch; the 1920s and 1930s brought rectangular Art Deco cases, water-resistant cases and the first automatic winding systems.

After 1945 the wristwatch became a carrier of identity — dress watches, sports and dive watches, chronographs, calendars — produced by Swiss, American, Japanese, German, Soviet and Chinese industries. The quartz revolution after 1969 and the mechanical renaissance since the 1990s, including the rise of independent watchmakers, complete the story.

What to look for

  • The reference number (between the lugs or inside the case back) and serial number, the starting point for dating.
  • The calibre: its maker and number are often stamped under the dial or on the bridge.
  • Originality of dial, hands and crown — refinished ('redial') dials are common.
  • Case material marks: 18K/750, 14K/585, stainless steel, gold-filled, plated.

Dating clues

  • Wire-lug cases: before c. 1925.
  • Water-resistant screw-down cases: from 1926.
  • Quartz movements: from 1969; sapphire crystals widespread after c. 1980.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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