
Clocks · Bracket clock
George III musical bracket clock by Francis Perigal, London
- Maker / attribution
- Francis Perigal (maker)
- Date
- c. 1790
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Dimensions
- Height 50 cm
- Stock no.
- Product 3471
- Credit line
- Dealer listing, The Antique Clock Company (product 3471)
- Catalogue title (original)
- FINE GEORGE III MUSICAL BRACKET CLOCK – FRANCIS PERIGAL – LONDON (English)
View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by The Antique Clock Company (dealer), Dorset (stock number Product 3471), this is a bracket clock by Francis Perigal, made in London, England, dated c. 1790. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Recorded dimensions: Height 50 cm. The record is illustrated with 2 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — The Antique Clock Company
A particularly elegant and interesting late eighteenth-century musical bracket clock by the celebrated London maker Francis Perigal III, in a beautifully proportioned mahogany case richly mounted with gilt brass ormolu. The arched case is surmounted by a gilt brass urn finial and adorned throughout with finely cast rococo mounts, raised on scrolling bracket feet with pierced sound frets. The case retains both front and rear glazed doors, allowing the highly decorative movement to be viewed. The superb arched dial is framed by an elaborate blue, green and gilt decorated arch and is richly embellished with finely executed champlevé enamel panels on a solid silver ground, incorporating subsidiary dials for chime/silent and musical-tune selection. The main enamel dial is signed Perigal, London and fitted with elegant pierced gilt hands. The substantial, fully engraved brass movement, signed Francis Perigal, London, is of particularly fine quality. It is fitted with a musical train playing a choice of four tunes on a nest of eleven bells, and sounding once on the hour, every hour, a particularly desirable feature, as many musical clocks play only at three-hour intervals. The clock also strikes the hours on a separate bell. The backplate is beautifully engraved with scrolling foliage, and the movement retains its original verge escapement and pendulum. The movement and case together demonstrate the quality and refinement associated with Perigal, one of the most respected horological dynasties working in eighteenth-century London. The Perigal family were among the most eminent clock and watchmakers of the Georgian period, working from the Royal Exchange and later New Bond Street, and supplying timepieces of the highest quality to both domestic and export markets. Clocks by Francis Perigal are increasingly sought after by collectors for their mechanical sophistication, distinctive design, and historical importance within English horology. An excellent and decorative example of an important London maker’s work. Height: 19 ¾” or 50 cm
Provenance
Private collection, UK
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:FuseeAnchor (recoil) escapement
Related records
Pocket Watches · probably c. 1770
Repeating watch, movement by Francis Perigal, England, probably c. 1770
The Metropolitan Museum of Art, New York
Pocket Watches · 1786-7
Watch by Francis Perigal, England, 1786-7
Victoria and Albert Museum, London
Pocket Watches · c. 1757 - c. 1817
Watch by Francis Perigal, c. 1757 - c. 1817
Rijksmuseum
Pocket Watches · 18th century
Watch and chatelaine
The Metropolitan Museum of Art, New York
Clocks · 1740–1760
Longcase clock, English, 1740–1760, japanned wood, John Ellicott
Victoria and Albert Museum, London
Clocks · c.1750
Long-case clock, English, ca. 1750, by Richard Peyton of Gloucester
Victoria and Albert Museum, London
Clocks · 1751
Large wheel engine, signed and dated "John Tipping, Whildon Green, 1751".
Science Museum Group, London
Clocks · 1755
Bracket clock by John Fordham, England, 1755
The Metropolitan Museum of Art, New York
