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Garniture - Ormolu & Enamel, France, c. 1880s — view 1 of 14
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Clocks · Garniture

Garniture - Ormolu & Enamel, France, c. 1880s

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
c. 1880s
Country of origin
France
Object type
Garniture
Dimensions
10 cm (Length), 26 cm (Width), 38 cm (Height)
Holding institution
Museums Victoria, Melbourne
Accession / object no.
ST 29402
Catalogue title (original)
Garniture - Ormolu & Enamel, France, circa 1880s (English)

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Record summary

Held and catalogued by Museums Victoria, Melbourne (object number ST 29402), this is a garniture, made in France, dated c. 1880s. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Recorded dimensions: 10 cm (Length), 26 cm (Width), 38 cm (Height). The record is illustrated with 14 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Summary — Museums Victoria

An ormolu garniture comprising a three-piece clock ensemble, made in France, circa 1880s. The set consists of a mantel clock and two matching side pieces. The clock features a 15-day striker movement. A garniture typically consists of an ornately decorated ormolu (gilt bronze) mantel clock with a complementary pair of either vases or candelabra. The term 'ormolu' comes from the French words 'or', meaning 'gold', and 'moulu', meaning 'ground'. Its distinctive and durable finish was achieved through a process in which finely ground gold was amalgamated with mercury and applied to a bronze surface. It was then heated to evaporate the mercury, resulting in a lustrous gold surface. This process produced a highly desired outcome but posed significant health risks to the workers involved due to toxic mercury exposure. As a result, the practice declined and was largely discontinued by the 19th century.

Physical description — Museums Victoria

Garniture comprising a highly ornate mantel clock and two matching capped vases. Clock has gilt metal frame with decorative pink enamel columns at side and urn on top surrounding a pictorial inset and decorated face with gilt foliage ornamentation. Clock and side pieces stand on individual wooden bases and were originally under glass domes. Spring wound; anchor escapement.

Inscriptions & marks

No. on movement is 2579. Pendulum no. 3154.

Provenance

Donation from Miss M. Train, 23 Jul 1976

Historical context

Industrial Revolution (1850 – 1900)

American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.

Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.

Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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