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English 18th century ebonised triple fusee quarter chiming bracket clock with pull repeat by Edward Smith, London — view 1 of 4
View 1 of 4 · Image: Gardiner Houlgate · original image source (opens another website in a new tab)

Clocks · Bracket clock

English 18th century ebonised triple fusee quarter chiming bracket clock with pull repeat by Edward Smith, London

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Edward Smith (maker)
Date
18th century
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
ebonised
Dimensions
Height 20.5 in (52 cm)
Lot
Sale 42, lot 1211
Credit line
Auction lot record: lot 1211, Fine Clocks & Related Items, Gardiner Houlgate (22nd October 2026)
Catalogue title (original)
Edward Smith, London - English 18th century ebonised triple fusee quarter chiming bracket clock with pull repeat, the 11" x 8" arched brass dial signed Edw'd Smith, Bury from London, with a subsidiary (English)

View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 42, lot 1211), this is a bracket clock by Edward Smith, made in London, England, dated 18th century. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 20.5 in (52 cm). The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Gardiner Houlgate

Edward Smith, London - English 18th century ebonised triple fusee quarter chiming bracket clock with pull repeat, the 11" x 8" arched brass dial signed Edw'd Smith, Bury from London, with a subsidiary seconds dial to the arch over a silvered Roman numeral chapter ring with Arabic numeral minute chapter, strike/silent function lever, foliate spandrels and matted centre with false and calendar apertures, the movement with a foliate engraved back plate, anchor escapement striking the hours and quarters on a nest of eight bells and a single bell, within an ebonised caddy top case with fret panels, gilt metal pineapple finials and a swing carry-handle upon bracket feet, 20.5" high with the handle raised (with pendulum and key)

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapement

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