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Ebonised timepiece repeating table clock by Joseph Knibb — view 1 of 6
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Clocks · Bracket clock

Ebonised timepiece repeating table clock by Joseph Knibb

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Joseph Knibb (maker)
Date
c. 1690
Country of origin
England
Object type
Bracket clock
Materials / technique
ebonised
Dimensions
Height 34 cm
Stock no.
Product 1730
Credit line
Dealer listing, The Antique Clock Company (product 1730)
Catalogue title (original)
JOSEPH KNIBB EBONISED TIMEPIECE REPEATING TABLE CLOCK (English)

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Record summary

Catalogued by The Antique Clock Company (dealer), Dorset (stock number Product 1730), this is a bracket clock by Joseph Knibb, made in England, dated c. 1690. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 34 cm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — The Antique Clock Company

Phase III Ebonised Timepiece Repeating Table Clock by Joseph Knibb. A very fine clock by this master of English clock making. Movement : The 8-day single fusee timepiece movement with original verge knife edge escapement and brass rod short bob regulated pendulum. There are five latched bulbus pillars to hold the movement together, with a beautifully engraved rectangular back plate signed “Joseph Knibb Londini fecit”. The pull repeat feature strikes the hour on the larger bell and quarters struck on the smaller bell. Case : The case is of ebony veneer over an oak carcase with typical Knibb foliate-tied gilded handle, finished with Knibb S-scroll and mask escutcheons to the glazed lockable front door, pierced ebony silk backed sound fret above with rectangular glazed sides, sound frets and lockable glazed back door. Dial : The 6 ½” square gilt brass dial with finely matted centre and signed “Joseph Knibb London” to the lower edge. Four chased gilt winged cherub spandrels in each corner of the dial plate with a silvered engraved chapter ring and typical Knibb style fleur-de-lys half hour divisions, Roman numerals to mark the hours and Arabic numerals for five minute markers. The clock also boasts its beautiful original blued steel hands. Currently – Private collection, UK Comparative Literature : The Knibb Family Clockmakers by R. A. Lee Height: 13 ½” or 34cm (Handle up) 12” or 30.5cm (Top of case) *This clock is delivered and set up for free within the UK. We regularly ship clocks all over the world with our approved and well-established Antiques and Fine Art Packers & Shippers. Please ask for a quote should you require this service. Joseph Knibb – B.1640 – D.1711 Joseph Knibb was one of the most celebrated clockmakers of his day and was highly admired by Charles II for whom he made several fine clocks. Joseph was apprentice to his cousin Samuel Knibb in 1655 at Newport Pagnell and after his seven year apprenticeship he then moved to Oxford in 1662, whilst Samuel moved to London the same year. It was far from an easy move, when he arrived in the city he was thought of as a foreigner by the freeman traders of the city who objected to his presence. It is thought that he traded without permission until upon payment of a fine in 1668, he was then free to carry out his business without hinderance. It was at this time he was most interested in the development of the anchor escapement and seconds pendulum for timekeeping accuracy. In 1670 he moved to London, this could have been because of his accurate clocks or it could possibly be to do with Samuels death. Either way, immediately after setting up business in the city he was granted the freedom of the Clockmakers’ Company. He was quick to become established in London with a very distinctive style along with several notable inventions. Quite apart from producing work of consistent high quality, Joseph was imaginative, inventive and had an excellent eye for proportion. He had many apprentices and was elected as Steward of the Clockmakers’ Company in August 1984 and then Assistant in 1689. By the time he retired in 1697 his business is believed to have made over four hundred clocks, proving that he was an illustrious businessman during his time in London. He retired to Hanslop where he still made clocks, only not on such a large scale. He died in December 1711. Many collectors aspire to “one-day own a Knibb” and with this being a timepiece, it is a rather inexpensive way of achieving such an honour. It is also an ideal investment that you can really appreciate simultaneously.

Provenance

Provenance :

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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