
Wristwatches · Wristwatch
Chopard LUC 16/1864/2 White Gold Baguette Diamonds Custom Order, 2000s
- Maker / attribution
- Chopard (maker)
- Date
- 2000s
- Historical period
- Mechanical Renaissance (1990 – 2010)
- Country of origin
- Switzerland
- Object type
- Wristwatch
- Materials / technique
- white gold
- Dimensions
- Case 36.5 mm
- Stock no.
- Product 7739304542295
- Credit line
- Dealer listing, S.Song Watches (product 7739304542295)
- Catalogue title (original)
- Chopard LUC 16/1864/2 White Gold Baguette Diamonds Custom Order (English)
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Record summary
Catalogued by S.Song Watches (dealer), Seattle (stock number Product 7739304542295), this is a wristwatch by Chopard, made in Switzerland, dated 2000s. The Atlas places it in the Mechanical Renaissance period (1990 – 2010) of its Wristwatches collection. Materials and techniques recorded by the source: white gold. Recorded dimensions: Case 36.5 mm. The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — S.Song Watches
The Chopard L.U.C 1860 has quietly become one of the most respected watches of the 1990s. Introduced in 1996, it represented the beginning of Chopard's modern manufacture and was the result of almost four years of development under Karl-Friedrich Scheufele, with input from Michel Parmigiani. At a time when much of the Swiss watch industry still relied heavily on movements from outside suppliers, Chopard set out to create something entirely its own. The result was the Calibre 1.96, an exceptional automatic movement measuring just 3.3mm thick. It featured a 22-carat gold micro-rotor, twin stacked barrels providing approximately 70 hours of power reserve, a Breguet overcoil and swan-neck regulator. It was also both COSC-certified and awarded the Geneva Seal. Beautifully constructed and finished throughout, the Cal. 1.96 remains one of the finest automatic movements of its generation and is a major reason why the earliest L.U.C watches have become increasingly appreciated by collectors. The watch itself was equally well considered. Measuring 36.5mm, the L.U.C 1860 was classically proportioned and paired with solid-gold dials produced by Metalem using traditional hand engine-turning. Metalem would later become particularly well known among collectors for producing the dials of Philippe Dufour's Simplicity, though the L.U.C 1860 actually came first. Chopard's former Director of Patrimony, Juan Garcia, rather amusingly suggested that instead of calling the 1860 a "baby Dufour", it should perhaps be called the "uncle Dufour". The present watch, however, is something considerably more unusual. While based upon the white-gold L.U.C 1860, it was produced as a custom order and carries the distinct reference 16/1864/2. Chopard is known to have produced a small number of custom L.U.C 1860s during this period, including a documented black guilloché example with baguette diamond indexes. Here, the solid-gold dial is finished in a rich blue with a hand-turned guilloché centre, but instead of the conventional applied indexes, each hour is marked by a baguette-cut diamond. Surrounding the dial is a full baguette diamond-set bezel, creating a configuration that combines two sides of Chopard particularly well - serious watchmaking and exceptional gem-setting. Despite the amount of diamonds involved, it remains surprisingly restrained, with the geometry of the baguette stones working particularly well against the blue dial and white-gold case. More interesting still is the reference itself. Rather than the familiar 16/1860/2, the case is engraved 16/1864/2, with the "1864" designation differentiating this custom-order configuration from the standard production watch. Information surrounding the reference is virtually non-existent, and I have yet to find another documented 16/1864/2 with this combination of blue guilloché dial, baguette diamond indexes and full baguette diamond-set bezel. While its exact production is unknown, it is entirely possible that the present watch was produced as a unique piece. Turn the watch over and the Cal. 1.96 is visible through the sapphire caseback, complete with its beautifully finished 22-carat gold micro-rotor bearing the L.U.C signature. The movement is arguably the most important part of the L.U.C 1860 story and remains genuinely impressive nearly thirty years after it was introduced. Even the standard L.U.C 1860 is far rarer than initially intended. Although Chopard planned to produce 1,860 examples in each metal, actual production fell well short of this, with approximately 400 examples believed to have been made in white gold. Against that already small production, custom-order pieces such as this sit in an entirely different category. For me, this is the most important early L.U.C watch I have come across. The 1860 already represents a defining moment in Chopard's modern watchmaking history, combining one of the finest automatic movements of its generation with exceptional traditional craftsmanship. This example takes that foundation to its absolute extreme. A custom-order 16/1864/2, with a blue Metalem guilloché dial, baguette diamond indexes and a full baguette diamond-set bezel, it is a configuration that I have yet to find documented anywhere else. With its separate reference designation, extraordinary specification and potentially unique production, I struggle to think of an early L.U.C that could be more important or desirable. This isn't simply a rare variation of the L.U.C 1860. For me, it is the holy grail of the entire early L.U.C generation.
Historical context
Mechanical Renaissance (1990 – 2010)
Mechanical watches return as cultural objects; independent watchmaking flourishes.
Mechanical watches returned as cultural and luxury objects. Complications, tourbillons and new materials proliferated; independent watchmakers such as George Daniels, F.P. Journe and Philippe Dufour revived artisanal watchmaking; collecting vintage watches became a major field.
Read the period in the timelineMore wristwatches from this periodEarlier: Quartz Revolution
Atlas type guide
Wristwatches
Bracelet watches were worn by women from the early nineteenth century — Breguet made one for Caroline Murat, Queen of Naples, in 1810–12 — but the wristwatch only became a man's instrument with military use and aviation in the early twentieth century. Between the World Wars it overtook the pocket watch; the 1920s and 1930s brought rectangular Art Deco cases, water-resistant cases and the first automatic winding systems.
After 1945 the wristwatch became a carrier of identity — dress watches, sports and dive watches, chronographs, calendars — produced by Swiss, American, Japanese, German, Soviet and Chinese industries. The quartz revolution after 1969 and the mechanical renaissance since the 1990s, including the rise of independent watchmakers, complete the story.
What to look for
- The reference number (between the lugs or inside the case back) and serial number, the starting point for dating.
- The calibre: its maker and number are often stamped under the dial or on the bridge.
- Originality of dial, hands and crown — refinished ('redial') dials are common.
- Case material marks: 18K/750, 14K/585, stainless steel, gold-filled, plated.
Dating clues
- Wire-lug cases: before c. 1925.
- Water-resistant screw-down cases: from 1926.
- Quartz movements: from 1969; sapphire crystals widespread after c. 1980.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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