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Bracket clock by Samuel Watson:, London, c. 1695 — view 1 of 4
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Clocks · Bracket clock

Bracket clock by Samuel Watson:, London, c. 1695

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Samuel Watson: (maker)
Date
c. 1695
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
ebonised
Dimensions
Height 36 cm
Stock no.
SKU 3
Credit line
Dealer listing, Howard Walwyn (SKU 3)
Catalogue title (original)
SAMUEL WATSON: A FINE WILLIAM III PERIOD EBONISED TABLE CLOCK WITH AN ARISTOCRATIC HISTORY (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 3), this is a bracket clock by Samuel Watson:, made in London, England, dated c. 1695. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 36 cm. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A fine William III period ebonised table clock with an aristocratic history. The 7 inch rectangular brass dial has a raised chapter ring with silvered Roman and Arabic numerals with elaborate half hour and half-quarter markers, over winged cherub spandrels and below two silvered quadrants, one inscribed Strik/ Not Strik [sic], the other for regulation marked from 5 to 25, each with a well fettled steel arrow hand and engraved with foliate scrolls to the centres and borders, flanking the central engraved signature cartouche. The dial centre has fine steel hands and a shaped mock pendulum aperture. The high quality two train gut fusee movement has a restored verge escapement, rack and pinion regulation and pull quarter repeat on a single bell. The rectangular plates are united by six knopped and finned pillars. The backplate is profusely engraved with foliate scrolls centred and the maker’s signature is set within a central cartouche. The elegant ebonised dome topped case has fine repoussé brass mounts formed of a Viscount’s coronet set among foliage and flowers. The gilt brass sound fret at the top of the glazed door and the vertical applied escutcheons are original along with the tied bud carrying handle at the top. Height: 14 ¼ in (36 cm) excluding handle Width: 10 ¾ in (27 cm) Depth: 6 ½ in (17 cm) * The inclusion of a Viscount’s coronet (a jewelled band with pearls) in the design of the caddy mounts is very unusual and would indicate that the original patron was a peer. Samuel Watson was commissioned to make two clocks by Charles II and was apparently Charles’s ‘Mathematician in Ordinary’, therefore perfectly placed to take commissions from the Royal Court. Samuel Watson was an important clockmaker and mathematician who is recorded in Loomes’ The Early Clockmakers of Great Britain. According to Loomes, Samuel Watson initially worked in Coventry around 1680 where he was Sheriff in 1686 before moving to London around 1691. He was made a Free Brother of the Clockmakers’ Company in 1692. In 1682 Watson made an astronomical clock for Charles II followed by another clock which was not completed until after the King’s death. In 1690 this same clock was sold to Queen Mary and is now in Windsor Castle, though in a later case. Watson also made two astronomical clocks for Sir Isaac Newton and invented five minute repeating watches.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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