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Bracket clock by Jonathan Puller, London, c. 1690 — view 1 of 4
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Clocks · Bracket clock

Bracket clock by Jonathan Puller, London, c. 1690

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Jonathan Puller (maker)
Date
c. 1690
Country of origin
England
Place
London
Object type
Bracket clock
Dimensions
Height 36 cm
Stock no.
Product 4491
Credit line
Dealer listing, Howard Walwyn (product 4491)
Catalogue title (original)
JONATHAN PULLER LONDINI FECIT (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number Product 4491), this is a bracket clock by Jonathan Puller, made in London, England, dated c. 1690. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Recorded dimensions: Height 36 cm. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A fine and rare late 17th-century table clock of small proportions veneered in tortoiseshell by this well-known London maker. The small rectangular case is veneered with rich tortoiseshell and adorned with finely pierced silver mounts. It is surmounted by a cast silver twin-figural carrying handle on a shallow caddy top, which is embellished at the front and rear with pierced foliate scroll frets. The glazed front door has a silk-backed sound fret above the dial, over a pair of ornate silver escutcheons in the Joseph Knibb style. The sides are fitted with similar pierced sound frets above rectangular glazed panels, and the glazed rear door is likewise set with a conforming fret. The clock stands on a moulded base with four turned silver bun feet. The 6-inch square brass dial features a silvered chapter ring with Roman hours and Arabic five-minute numerals. The maker’s signature, Jonat. Puller, Londini fecit, is engraved on the lower edge of the chapter ring between V and VII. Twin subsidiary dials for Strike/Silent and for rise-and-fall regulation are set near the top, interspersed with delicate scroll engravings. The finely matted dial centre has a mock pendulum aperture and a date window above VI, and the spandrels are adorned with winged cherub-head mounts in the lower corners. The time is indicated by a pair of finely pierced blued steel hands. The clock is equipped with a high-quality twin-fusee movement secured by five latched vase-shaped pillars. It has a verge escapement with a short spring-suspended pendulum terminating in a lenticular bob. The hour strike is released by a rack-and-snail mechanism sounding on a single bell, and the clock incorporates a quarter repeat system that chimes the quarters on a nest of six graduating bells with corresponding brass hammers. The backplate is finely engraved, featuring an unusual chamfered edge and a wide wheatear border framing symmetrically arranged scrolls and flowerheads, with a central cartouche inscribed with the maker’s signature Jonathan Puller Londini Fecit . Date: circa 1690 Height: 14 inches (36 cm) including handle Width: 9 ½ inches (24 cm) Depth: 6 ⅛ inches (15.5 cm) Jonathan Puller (c. 1662 – c. 1707) was a respected London clockmaker of the late 17th century. Apprenticed in 1676 to Nicholas Coxeter (and transferred to John Miller in 1679), he became Free of the Clockmakers’ Company in 1683. Puller established his workshop in Red Lion Court off Fleet Street, close to Thomas Tompion’s premises. Over the next two decades he trained eight apprentices and was appointed an Assistant of the Clockmakers’ Company in 1701. He remained active until about 1707, when records of him cease and he is presumed to have died. This particular clock is illustrated on multiple pages of Early English Clocks , by Percy G Dawson, C.B Drover and D.W Parkes. It is a beautiful example of some of the earliest use of tortoiseshell veneers on a bracket clock case, and is even more unusual for its silver mounts. HW6662

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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