
Clocks · Bracket clock
Bracket clock by Daniel Quare, London, c. 1712
- Maker / attribution
- Daniel Quare (maker)
- Date
- c. 1712
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- ebony
- Dimensions
- Height 42 cm
- Stock no.
- SKU 407
- Credit line
- Dealer listing, Howard Walwyn (SKU 407)
- Catalogue title (original)
- DANIEL QUARE N° 94. A fine Queen Anne period arched dial ebony veneered striking table clock by this pre-eminent maker. (English)
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Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 407), this is a bracket clock by Daniel Quare, made in London, England, dated c. 1712. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebony. Recorded dimensions: Height 42 cm. The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
A fine Queen Anne period arched dial ebony veneered striking table clock by this pre-eminent maker. The inverted belltop case is of the classic early ‘shallow arch’ variety of which Daniel Quare was the most noted early exponent. The ebony mouldings are crisp, the gilt brass sound frets, mounts and S-scroll handle are finely finished and the overall proportions of the case are very pleasing. The break arch 6 ½ inch dial has a matted centre and the maker’s signature Dan Quare London is inscribed on a planished oval cartouche in the centre beneath the mock pendulum aperture. There is a large concentric calendar dial in the arch and two subsidiary dials for rise and fall and strike/silent . The blued steel hands are finely wrought. The substantial double fusee movement which fills the whole case has 6 ring turned baluster pillars, a spring suspended verge escapement, hour rack strike, pull quarter repeat on one bell and various levers and cams for rise/fall and strike/silent . The flower, bird and foliate engraving of the backplate is almost certainly the work of Tompion’s engraver 515. The makers’ signature Dan: Quare London 94 is set within a central cartouche below two trumpeting heralds. Height : 16 ½ in (42 cm) excluding handle Width : 10 ¼ in (26 cm) Depth : 6 ⅞ in (17.5 cm) * Daniel Quare was a great innovator and he was one of the first clockmakers to move from the usual square or rectangular dials to the ‘new’ shallow break arch design in circa 1704-5. The extra space in the arch enabled him to make a feature of his large concentric calendar at the top and the subsidiary dials to each side. We can date No.94 to circa 1712 with its superior quality brass moulded front door, the exceptional graver 515 backplate, the maker’s signature in an oval reserve on the dial rather than on the chapter ring and the fine gilt brass case mounts and Quare type S-scroll handle. References : Cescinsky and Webster, English Domestic Clocks , p.282 figs.304-305, pp. 287-288 Garnier and Carter, The Golden Age of English Horology, pp. 260-331
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
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