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Bracket clock by Daniel Quare, London, c. 1700–1710 — view 1 of 5
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Clocks · Bracket clock

Bracket clock by Daniel Quare, London, c. 1700–1710

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Daniel Quare (maker)
Date
c. 1700–1710
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
walnut
Dimensions
Height 33 cm
Stock no.
Product 5057
Credit line
Dealer listing, Howard Walwyn (product 5057)
Catalogue title (original)
DANIEL QUARE. A rare Queen Anne period walnut and burr yew wood bracket clock. (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number Product 5057), this is a bracket clock by Daniel Quare, made in London, England, dated c. 1700–1710. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: walnut. Recorded dimensions: Height 33 cm. The record is illustrated with 5 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A rare Queen Anne period walnut and burr yew wood bracket clock by this famous Royal Clock maker. The fully restored 8-day movement with its verge escapement and rack strike runs for 8 days, sounds the hours on a bell and has a pull repeat mechanism for recalling the last hour and last quarter hour on three bells. The dial has four winged cherub head corner spandrels with an outer wheat ear engraved border and inset date work. The maker’s name, D. Quare, London , is engraved on the silvered chapter ring outside the finely matted centre. The backplate also bears the maker’s signature, Daniel Quare, London , engraved within a cartouche set below scrolling foliage and four intertwining tulips. The exceptional walnut and burr yew wood veneered case is in remarkably original condition. It has its original brass foliate carrying handle and gilt brass sound frets. Its small size and shallowness are of particular appeal, as is the rich mellow colour and patination of the burr yew veneers. Very few burr yew and walnut veneered table clocks with square dial movements by Thomas Tompion or Daniel Quare have survived. This is the first such example by Daniel Quare we have been privileged to handle. Date: circa 1700-171o Height: 12 ¾ in (33 cm) Width: 10 ½ in (27 cm) Depth : 7 in (17.75 cm) *Daniel Quare is one of the great names from the finest period of English clockmaking and he was a justly worthy contemporary of Thomas Tompion, George Graham, Daniel Delander et al. He was born in Somerset in 1649, he became a Brother of the Clockmakers’ Company in 1671 and went on to serve as Master in 1708. In about 1701 he took on Stephen Horseman as an apprentice. He became a partner in 1718 and continued the business after Quare’s death in 1724. Daniel Quare’s reputation rests both on the fact that he was a great innovator and on the fine quality of his work. He and Tompion were the first to make some highly important walnut longcase clocks of year duration showing the equation of time and other complications. One of these is now in the Ilbert Collection in the British Museum. He was also successful in a judgement made by James II in 1688 for a Patent for a repeating watch, his rival being the Rev. Edward Barlow. Among his other inventions was a portable barometer and many superb examples exist in important collections today. Quare was an arch rival to Thomas Tompion, but as a practising Quaker he would not sign any oaths of allegiance. His Quaker beliefs thus prevented his appointment as Clockmaker to the King. He also often came into conflict with the authorities because of his refusal to pay tithes. Goods of the value of the tithe were then seized from him. Things improved after the Toleration Act of 1689 and he later served on the Parliamentary committee of the Meeting for Suffering. He had a highly successful business and counted many members of the Nobility and Foreign Ambassadors amongst his clientele. Towards the end of his life he retired to Croydon where he died, aged 75, on March 21 st 1724. He was buried at the Quaker Burial Ground, Bunhill Fields on the 27 th of March. References: Dawson, Drover and Parks, Early English Clocks Richard Garnier, ‘Innovation and Collaboration’ Brian Loomes, Clockmakers of Britain: 1286 – 1700 , pp.406-407 CC03

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeAnchor (recoil) escapement

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