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Bracket clock by Charles Cabrier, London, c. 1760–1770 — view 1 of 6
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Clocks · Bracket clock

Bracket clock by Charles Cabrier, London, c. 1760–1770

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Charles Cabrier (maker)
Date
c. 1760–1770
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
lacquer
Dimensions
Height 70 cm
Stock no.
SKU 569
Credit line
Dealer listing, Howard Walwyn (SKU 569)
Catalogue title (original)
CHARLES CABRIER. An exceptional early George III period 3-train chinoiserie red lacquer table clock (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 569), this is a bracket clock by Charles Cabrier, made in London, England, dated c. 1760–1770. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. Materials and techniques recorded by the source: lacquer. Recorded dimensions: Height 70 cm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

An exceptional early George III period chinoiserie red lacquer table clock, the 3-train 8-day hour-striking movement with quarter chimes on 8 bells in a very original state of preservation. The mounted brass dial has a silvered chapter ring with Roman hours and Arabic five minute markers. The dial is signed Charles Cabrier, London under XII on an inset silvered brass disc. Below that is a dummy pendulum aperture in an arc. There is a subsidiary strike/silent dial within the arch and an inset date aperture above VI. The blued steel hands are finely pierced and appear to be original. The foliate spandrels to the dial corners are well cast. The substantial triple fusee movement has a fully engraved foliate backplate and heart-shaped back cock. The brass pendulum rod has an adjustable pear-shaped bob. The 3-train triple fusee movement has a verge escapement, substantial plates and six knopped pillars. Chiming the quarters on 8 bells and striking the hours on a single bell with trip repeat, the movement is typical of work by this fine maker. The exceptional red japanned case has a very elegant bell-top surmounted by a pineapple finial. Four more finials, all on pediments, surround the top. The four caryatid mounts, brass side carrying handles and foliate splayed feet are finely cast and of good quality. The front and sides of the base have very unusual pierced wooden foliate fret decoration. The red and gilt lacquer work is in pristine unrestored condition, hence its beautiful mellow colour. The gilt decoration comprises spays of flowers and foliage, birds, oriental pagodas, roses and figures. Height: 27 ½ in (70 cm) including finial Height: 24 ⅝ in (62.5 cm) excluding finial Width: 16 in (40.5 cm) including feet Depth: 10 ¼ in (26 cm) including feet * Charles Cabrier was a third generation clockmaker of the same name, having succeeded his father and grandfather. He was active in London between 1752 until his death in 1777. He was a prolific maker of fine musical table and longcase clocks, especially for the export market to Europe and the Far East. An exceptional pair of musical and automaton clocks in the oriental taste are illustrated in Richard Barder’s book The Georgian Bracket Clock , Colour Plate 27, page 164. These were reportedly made for the King of Nepal. HW66oo

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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