Clocks · Table clock
Table clock, Germany, 1600–1700
- Maker / attribution
- Unrecorded in source
- Date
- 1600–1700
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- Germany
- Place
- Germany
- Object type
- Table clock
- Materials / technique
- gilt-brass, engraved
- Dimensions
- Height: 2 7/8 in; Diameter: 4 in
- Holding institution
- Victoria and Albert Museum, London
- Accession / object no.
- 519-1868
- Credit line
- Purchased in 1868
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Record summary
Held and catalogued by Victoria and Albert Museum, London (object number 519-1868), this is a table clock, made in Germany, dated 1600–1700. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: gilt-brass, engraved. Recorded dimensions: Height: 2 7/8 in; Diameter: 4 in. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Summary — Victoria and Albert Museum
A gilt brass table clock in a cylindrical case on three feet, engraved with arabesques and strapwork. German, 17th century.
Physical description — Victoria and Albert Museum
A table clock in a gilt-brass cylindrical case on three feet. Engraved with arabesques and strapwork.
Brief description — Victoria and Albert Museum
A table clock in a gilt-brass cylindrical case on three feet,German, 17th century.
Provenance
Purchased from M.Duchochais in 1868.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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