Table clock by Hans Jakob Mair (artist), Germany, 1600–1699 — view 1 of 1
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Clocks · Table clock

Table clock by Hans Jakob Mair (artist), Germany, 1600–1699

DocumentedDocumented from the holding institution's catalogue record.
Date
1600–1699
Country of origin
Germany
Place
Augsburg
Object type
Table clock
Holding institution
Fine Arts Museum Vienna
Accession / object no.
KK_1119
Catalogue title (original)
Tischuhr mit bekrönendem Amorknaben (German)

View the source record ↗

Record summary

Held and catalogued by Fine Arts Museum Vienna (object number KK_1119), this is a table clock by Hans Jakob Mair (artist), made in Augsburg, Germany, dated 1600–1699. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description from Fine Arts Museum Vienna (English)

Inscription: stamp/mark: Augsburger Pyr (Seling 138 * *); R 3, No. 773 (SEL 1657m) Seling 2007: MZ 1657i, BZ 0680

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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