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Table clock, 1600–1615 — view 1 of 5
View 1 of 5 · Image: © 2020 Musée du Louvre / Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes · original image source (opens another website in a new tab)

Clocks · Table clock

Table clock, 1600–1615

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1600–1615
Country of origin
Unrecorded in source
Object type
Table clock
Materials / technique
brass, silver, bronze
Dimensions
height 21,6 cm; height 17,4 cm; diameter 11,5 cm
Holding institution
Musée du Louvre, Paris
Accession / object no.
OA 6945
Credit line
Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original)
Horloge de table en forme de ciboire (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number OA 6945), this is a table clock, dated 1600–1615. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: brass, silver, bronze. Recorded dimensions: height 21,6 cm; height 17,4 cm; diameter 11,5 cm. The record is illustrated with 5 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Horloge de table ; pourtour de la boîte ajouré de trois rosaces alternant avec trois têtes de bouc en relief ; motifs se détachant sur des médaillons rectangulaires gravés de feuilles. Partie inférieure gravée de rubans et rinceaux entrelacés, en symétrie, le goulot supporte le cadran horizontal orné d'émaux champlevés à double numérotage. Goulot surmonté d'une statuette féminine portant un sablier. Pied en forme de balustre flanqué de trois consoles ; orné de rinceaux similaires à ceux de la boîte. Base ciselée en relief de grotesques. Mouvement suisse du 18e siècle muni d'une sonnerie.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Epoque / période : Henri IV (1589-1610) (Occident->Renaissance->dynastie des Bourbons) · · Date de création/fabrication : 1600 - 1615

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : laiton · Matériau : argent · Matériau : bronze · Technique : émaillé = émaillage = émail = émaux (techniques métal)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Provenance

Collection Marie Peyrat, marquise Arconati-Visconti (1840-1923), à Paris. Don de la marquise Arconati-Visconti, en 1916.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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