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Mantel clock, 1600–1650 — view 1 of 1
View 1 of 1 · Image: © Musée du Louvre / Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes · original image source (opens another website in a new tab)

Clocks · Mantel clock

Mantel clock, 1600–1650

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1600–1650
Country of origin
Unrecorded in source
Object type
Mantel clock
Materials / technique
wood
Dimensions
height 69 cm; width 35,6 cm; depth 26 cm
Holding institution
Musée du Louvre, Paris
Accession / object no.
B 315
Credit line
Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original)
Pendule de forme architecturale surmontée du Christ rédempteur (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number B 315), this is a mantel clock, dated 1600–1650. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: wood. Recorded dimensions: height 69 cm; width 35,6 cm; depth 26 cm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Pendule en bois d'ébène surmontée d'une statuette en ronde-bosse du Christ rédempteur. Porte le poinçon de la ville d'Augsbourg.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Date de création/fabrication : vers 1600 - 1650

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : bois · Matériau : bronze (doré) · Technique : techniques métal (bronze d'ameublement)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Provenance

Présente au Louvre au milieu du XIXe siècle.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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