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Longcase clock by John Titherton, c. 1675–1680 — view 1 of 2
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Clocks · Longcase clock

Longcase clock by John Titherton, c. 1675–1680

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
John Titherton (maker)
Date
c. 1675–1680
Country of origin
Unrecorded in source
Object type
Longcase clock
Dimensions
Height 97 cm
Stock no.
SKU 281
Credit line
Dealer listing, Howard Walwyn (SKU 281)
Catalogue title (original)
JOHN TITHERTON LONDINI FECIT. A rare Charles II period olivewood and parquetry longcase clock. (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 281), this is a longcase clock by John Titherton, dated c. 1675–1680. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Recorded dimensions: Height 97 cm. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A rare Charles II period olivewood and parquetry longcase clock of beautiful proportions. The case is principally constructed of oak and veneered with olive wood oysters and ebony and holly star inlays to the trunk and base. The hood is flanked by barley twist columns rising to the flat top and the principal mouldings on the case are ebonised. The 11 inch (28 cm) square dial is mounted with early winged cherub spandrels, silvered skeletonised chapter ring and a subsidiary second’s ring. The centre is finely matted with a dual aperture above six o’clock for the day of the month and the month. The dial plate is signed John Titherton Londini Fecit . The steel pointers are finely pierced and faceted. The exceptional 8-day duration movement has eight fully latched, finned and knopped pillars separating the unusually large rectangular plates. The hours are sounded on a pork pie bell via an outside locking plate. Date: circa 1675-1680 Height : 77 ½ in (97 cm) * John Titherton was a maker about whom we know surprisingly little apart from the fact that he was working in London up until his death in 1695. His longcase clocks are rare as we only know of two made by him. This exceptional early clock bears many similarities to those made by Joseph Knibb and Jacobus Markwick at this period. The quality of the veneers and the fine proportions of the olivewood parquetry case, the beautiful skeletonised dial and the exceptional eight pillar movement plus its Knibbish rise/fall regulation and pork pie bell attest to this. Reference : Brian Loomes, Clockmakers of Britain 1286-1700, Mayfield Books, p.490 HW5751

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

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