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Instruments · Astrolabe

Linear Astrolabe

DocumentedDocumented from Wikidata's structured record of this museum object; the holding museum's own catalogue may give more detail.
Maker / attribution
Henri Michel (creator)
Date
1943
Country of origin
Belgium
Place
Brussels
Object type
Astrolabe
Materials / technique
ivory, ebony
Accession / object no.
51934
Credit line
Object data: Wikidata (CC0), holding collection History of Science Museum; museum record mhs.ox.ac.uk (opens another website in a new tab)
Catalogue title (original)
Linear Astrolabe (English)

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Record summary

Held and catalogued by History of Science Museum, University of Oxford (object number 51934), this is an astrolabe by Henri Michel, made in Brussels, Belgium, dated 1943. The Atlas places it in the Golden Age of Mechanical Watchmaking period (1900 – 1945) of its Instruments collection. Materials and techniques recorded by the source: ivory, ebony. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Wikidata description

item 51934 in the History of Science Museum, Oxford

Historical context

Golden Age of Mechanical Watchmaking (1900 – 1945)

The wristwatch displaces the pocket watch; waterproof cases, self-winding and grand complications.

Timing instruments became electrical and specialised: industrial time recorders, sports timers and aviation instruments.

Read the period in the timelineMore instruments from this periodEarlier: Industrial Revolution

Atlas type guide

Astrolabes, quadrants and astronomical compendia

The planispheric astrolabe is a two-dimensional model of the sky. A pierced rotating star map (the rete) turns over a plate engraved for a particular latitude; by aligning a star or the sun with its observed altitude, the user can read the time of day or night, the time of sunrise and sunset, and solve many other astronomical problems. Developed in the Hellenistic world and refined by astronomers in the Islamic world from the eighth century, it reached Latin Europe through al-Andalus.

Quadrants, compendia, armillary spheres and later orreries belong to the same family of instruments that model the heavens. They were teaching tools, status objects and practical time-finders. Many surviving examples are signed and dated, which makes them important evidence for the history of instrument-making workshops in Baghdad, Isfahan, Lahore, Toledo, Louvain, Nuremberg, London and elsewhere.

What to look for

  • The latitudes engraved on the plates — they show which cities the instrument was made for.
  • The script and calendar used: Arabic or Persian inscriptions, abjad numerals, Hebrew or Latin text indicate tradition and region.
  • The design of the rete: the number of named stars and the style of the star pointers changes by region and period.
  • Shadow squares, unequal-hour lines and zodiac scales on the back (dorsum).
  • Signatures, dedications and dates, often hidden on the throne (kursi) or the back.

Dating clues

  • Signed and dated astrolabes allow precise dating; undated ones are attributed by star positions on the rete, which shift slowly through precession.
  • Gothic-style retes with tracery are typical of European instruments of the fourteenth and fifteenth centuries.
  • Printed paper astrolabes and planispheres became common from the sixteenth century onward.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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